William Biscombe Gardner
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William Biscombe Gardner (1847–1919) was an English painter and wood-engraver. Working in both watercolour and oils, he exhibited widely in London in the late 19th century at venues such as the Royal Academy and the Grosvenor Gallery.[1] From 1896 he lived at Thirlestane Court.
He illustrated a number of books featuring the British landscape (see below), notably "Kent", "Canterbury", and "The Peak Country". He also drew scenes from the Welsh Elan Valley in the 1890s, before it was flooded to form the Elan Valley Reservoirs, which appeared in two books by Grant Allen (see "illustrated Books" below).
However, it was as a fine wood-engraver that he was mainly known, providing illustrations (sometimes large) for English magazines of the day such as the Pall Mall Gazette, Illustrated London News, English Illustrated Magazine and the Magazine of Art. He was a firm advocate of traditional wood-engraving considering it to be the most versatile in comparison to the more conventional methods of engraving and etching, or more recent methods including "process illustration".[2]
Selected paintings
Apple Blossom.
Chiddingstone from the corner of the churchyard.
The Deserted Cottage, Penbury.
A Game of Ball.
Packing the Golden Hops.
The Pantiles, Tunbridge Wells.
The Question of the Day.
Their Old Home' Pembury nr Tunbridge Wells.
Illustrated books
Allen, Grant. Drowning for Liverpool : Lake Vyrnwy and the end of old LLanwyddyn, 1887–89.
Allen, Grant. A submerged village – Llanwddyn (Mar 1890)
Gardner, W. Biscombe. Dickens country – watercolours (London: Adam & Charles Black)
Gardner, W. Biscombe. The garden of England; Kent by brush and Pen (J. Salmon Ltd, 1995).
Morris, J E. The Peak Country (London: Adam & Charles Black, 1914).
Shore, W. Teignmouth. Canterbury (Adam & Charles Black, April 1907).
Shore, W. Teignmouth. Kent (Adam & Charles Black, 1907).
Home, Gordon. Canterbury (A & C Black, 1911)
References
See CINOA (retrieved 7 Sep 2009).
Appleton's Popular Science Monthly, November 1896, pp. 139–40.
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