Paris Bordone
Paintings
Allegory of Vanity
Perseus Armed by Mercury and Minerva
Portrait of a Young Woman
A Pair of Lovers
Portrait Of A Lady Traditionally Believed To Be Of The Fugger Family,
Portrait of a gentleman
Madonna with Sleeping Child
Woman with a green coat
Young Woman at Dressing Table
Portrait of a young Woman
Gladiators Fighting
Saint Jerome in the Wilderness
Venus and Amor
Christ baptising Saint John Martyr
Allegory (Venus, Flora, Mars and Cupid)
Rest on the Flight into Egypt with St Catherine and Angels
Madonna and Child with Saint John the Baptist and Saint George (Holy Conversation)
Athena Scorning the Advances of Hephaestus
The Child Jesus Disputing in the Temple
The Holy Family with St. Jerome
Holy Family with St. Ambrose and a donor
Madonna and Child with two donor figures
Madonna and Child with Saints Jerome and Francis
Madonna and child with St Antony abbot and a young male donor
Portrait of a Lady with her son
Portrait of a man in armor with two pages
Portrait of a bearded man, head and shoulders, in a interior
The Rest on the Return from Egypt
Virgin and Child and St. Sebastian
Study of a Supplicant Male Figure
Portrait Of A Woman Holding a Handkerchief
Mars and Venus surprised by Vulcan
Holy Family with St. Elizabeth, St. John and St. Zacharias
Perseus Armed by Mercury and Minerva
Study of a Nude Man, depiction of a saint or of Neptune ?
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Paris Bordon (or Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of mannerist complexity and provincial vigor.
Biography
Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone.
From the 1520s, we have works by Bordone, including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is also in the Pinacoteca di Brera.
Christ as 'The Light of the World', c. 1550. Oil on canvas. The National Gallery, London.
In 1534–35, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the The Fisherman Presenting the Ring to Doge Gradenigo (Accademia). However, comparison between this latter painting and the near-contemporary, and structurally similar, Presentation of the Virgin[1] reveals Bordone's limitations, his use of superior perspective which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian.
Bordone is at his bes in his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.
Paris Bordone subsequently executed many important mural paintings in Venice, Treviso and Vicenza, all of which have perished. In 1538 he was invited to France by Francis I, at whose court he painted many portraits, though no trace of them is to be found in French collections, the two portraits at the Louvre being later acquisitions. On his return journey he also worked for the Fugger palace at Augsburg, but again the works have been lost.
Partial List of Works
Annunciation in the Musée des Beaux-Arts de Caen
Baptism of Christ in the National Gallery of Art, Washington, D.C.
Bathsheba Bathing, with an African Servant - The Walters Art Museum, Baltimore
Chess Players in Berlin
Daphnis and Chloe - Porczyński Gallery, Warsaw
Holy Family - Bridgewater House, Westminster
Madonna - the Tadini collection at Lovere
Mythological picture - the Galleria Borghese, Rome
Mythological picture - the Doria Pamphilj Gallery, Rome
The paintings in the Duomo of Treviso
Perseus Armed by Mercury and Minerva - Birmingham Museum of Art
A Portrait of a Lady - The National Gallery, London
Portrait of Giovanni Jacopo Caraglio - Wawel Castle, Kraków
References
By Titian and also at Accademia
Schwarz, Birgit (2009). Geniewahn: Hitler und die Kunst. Böhlau Verlag Wien. p. 312. ISBN 32-05783-07-7. "Mehrere Gemälde aus dem Berghof befinden sich heute im Nationalmuseum in Warschau. Bordones Venus und Amor etwa (Abb. 100)"
Attribution
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Bordone, Paris". Encyclopædia Britannica (11th ed.). Cambridge University Press.
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