Galleria Borghese, Rome
Landscape with ladies and horsemen, Niccolò dell' Abbate
Spring (Venus at her Toilet), Francesco Albani
Summer (Venus in Vulcan's Forge), Francesco Albani
Autumn (Venus and Adonis), Francesco Albani
Winter (The Triumph of Diana), Francesco Albani
The Entombment of Christ, Sisto Badalocchio
Judith and the Head of Holofernes, Giovanni Baglione
Madonna, Giovanni Bellini
David with the Head of Goliath, Michelangelo Caravaggio
The sorceress Circe, Dosso Dossi
Susanna and the Elders, Gerrit van Honthorst
Norandino and Lucina Discovered by the Ogre, Giovanni Lanfranco
Self-Portrait, Gaspare LandiPortrait of Canova, Gaspare Landi
Portrait of a Young Woman with the Unicorn, Raphael
Baglioni-Altar , Raphael
Madonna and Child, Sassoferrato
Madonna with St. John, Andrea del Sarto
Scene of a Birth, Lambert Sustris
Virgin and Child with St Anne and the Infant St John, Lambert Sustris
Sacred and Profane Love, Titian
Preaching of John the Baptist, Paolo Veronese
Orpheus and the Beasts, Sebastian Vrancx
Madonna and Child, Pompeo Batoni
St. Cecilia and St. Valerian, Lelio Orsi
The Hunt of Diana, Domenichino
The Galleria Borghese (English: Borghese Gallery) is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. It is a building that was from the first integral with its gardens, nowadays considered quite separately by tourists as the Villa Borghese gardens. The Galleria Borghese houses a substantial part of the Borghese collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The Villa was built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a party villa at the edge of Rome.
Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his Boy with a Basket of Fruit, St Jerome Writing, Sick Bacchus and others. Other paintings of note include Titian's Sacred and Profane Love, Raphael's Entombment of Christ and works by Peter Paul Rubens and Federico Barocci.
History
The Casina Borghese lies on the outskirts of seventeenth-century Rome. By 1644, John Evelyn described it as "an Elysium of delight" with "Fountains of sundry inventions, Groves and small Rivulets of Water". Evelyn also described the Vivarium that housed ostriches, peacocks, swans and cranes "and divers strange Beasts". Prince Marcantonio IV Borghese (1730–1800), who began the recasting of the park's formal garden architecture into an English landscape garden, also set out about 1775, under the guidance of the architect Antonio Asprucci, to replace the now-outdated tapestry and leather hangings and renovate the Casina, restaging the Borghese sculptures and antiquities in a thematic new ordering that celebrated the Borghese position in Rome. The rehabilitation of the much-visited villa as a genuinely public museum in the late eighteenth century was the subject of an exhibition at the Getty Research Institute, Los Angeles, in 2000,[1] spurred by the Getty's acquisition of fifty-four drawings related to the project.
In 1808, Prince Camillo Borghese, Napoleon's brother-in-law,[2] was forced to sell the Borghese Roman sculptures and antiquities to the Emperor. The result is that the Borghese Gladiator, renowned since the 1620s as the most admired single sculpture in Villa Borghese, must now be appreciated in the Musée du Louvre. The "Borghese Hermaphroditus" is also now in the Louvre.
The Borghese villa was modified and extended down the years, eventually being sold to the Italian government in 1902, along with the entire Borghese estate and surrounding gardens and parkland.
Collection
The Galleria Borghese includes twenty rooms across two floors.
The
main floor is mostly devoted to classical antiquities of the 1st–3rd
centuries AD (including a famous 320–30 AD mosaic of gladiators found
on the Borghese estate at Torrenova, on the Via Casilina outside Rome,
in 1834), and classical and neo-classical sculpture such as the Venus
Victrix. Its decorative scheme includes a trompe l'oeil ceiling fresco
in the first room, or Salone, by the Sicilian artist Mariano Rossi
makes such good use of foreshortening that it appears almost
three-dimensional.
Gian Lorenzo Bernini at the Borghese
Many of the sculptures are displayed in the spaces they were intended for, including many works by Gian Lorenzo Bernini, which comprise a significant percentage of his output of secular sculpture, starting with early works such as the Goat Amalthea with Infant Jupiter and Faun (1615) and Aeneas, Anchises & Ascanius (1618–19) [3][4] to his dynamic Rape of Proserpine (1621–22), Apollo and Daphne (1622–25) [5] and David (1623) [6] which are considered seminal works of baroque sculpture. In addition, several portrait busts are included in the gallery, including one of Pope Paul V, and two portraits of one of his early patrons, Cardinal Scipione Borghese (1632).[7] The second Scipione Borghese portrait was produced after the a large crack was discovered in the marble of the first version during its creation.
Nearby museums
Also in Villa Borghese gardens or nearby are the Galleria Nazionale d'Arte Moderna, which specialises in 19th- and 20th-century Italian art, and Museo Nazionale Etrusco, a collection of pre-Roman objects, mostly Etruscan, excavated around Rome.
Notes
Making
a Prince's Museum: Drawings for the Late Eighteenth-Century
Redecoration of the Villa Borghese. Getty Research Institute (17
June-17 September 2000). Catalogue by Carole Paul, with an essay by
Alberta Campitelli. ISBN 978-0-89236-539-5
He had married Pauline
Bonaparte; Antonio Canova's half-nude portrait of her as Venus Victrix
takes pride of place in one of the galleries.
Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1100–1850)
Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1100–1850)
Apollo and Daphne by BERNINI, Gian Lorenzo
Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1100–1850)
Bust of Scipione Borghese by BERNINI, Gian Lorenzo
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