John Hoppner

John Hoppner

Paintings

Louisa Lane Called Cecilia

Richard Humphreys, the Boxer

Jupiter and Io

Portrait of a Gentleman

Peter Dolland

Portrait of Emma Laura Whitbread later Lady Eversley when a Child

The Countess of Darnley and her Daughter Lady Elizabeth Bligh

An Unknown British Officer Probably of 11th North Devonshire Regiment of Foot

Lady Hester King

Mrs. Richard Bache, Sarah Franklin

Lady Cunliffe

Lady Romney, Frances Wyndham

Sir George Beaumont

Portrait of Emma Laura Whitbread later Lady Eversley when a Child

John Hoppner (4 April?, 1758 – 23 January 1810) was an English portrait painter. He achieved fame as a brilliant colourist. His touch has qualities of breadth and freedom that give to his paintings a faint reflection of the charm of Reynolds.

Early life
Portrait of the Frankland sisters, 1795
Miss Mary Linwood, about 1800, John Hoppner V&A Museum no. 1439-1874

Hoppner was born in Whitechapel, London, the son of German parents - his mother was one of the German attendants at the royal palace. King George's fatherly interest and patronage of the young boy gave rise to rumours, quite unfounded, that he may have been his illegitimate son. Hoppner became a chorister at the royal chapel, but, showing strong inclination for art, in 1775 he entered the Royal Academy. In 1778 he took a silver medal for drawing from life, and in 1782 the Academy’s highest award, the gold medal for historical painting, his subject being King Lear.

Career

He first exhibited at the Royal Academy In 1780. His earliest love was for landscape, but necessity obliged him to turn to the more lucrative business of portrait painting. At once successful, he had throughout life the most fashionable and wealthy sitters, and was the greatest rival to the growing attraction of Thomas Lawrence. He rarely attempted ideal subjects, though a Sleeping Venus, Belisarius, Jupiter and Io, a Bacchante and Cupid and Psyche are mentioned among his works. The prince of Wales visited him especially often, and many of his finest portraits are in the state apartments at St. James's Palace, the best perhaps being those of the prince, the duke and duchess of York, of Lord Rodney and of Lord Nelson, Among his other sitters were Sir Walter Scott, the Duke of Wellington, Frere and Sir George Beaumont.

Competent judges have deemed his most successful works to be his portraits of women and children. A Series of Portraits of Ladies was published by him in 1803, and a volume of translations of Eastern tales into English verse in 1805. The verse is mediocre. In his later years Hoppner suffered from a chronic disease of the liver. He was confessedly an imitator of Reynolds. When first painted, his works were much admired for the brilliancy and harmony of their colouring, but the injury due to destructive mediums and lapse of time which many of them suffered caused a great depreciation in his reputation. The appearance, however, of some of his pictures in good condition has shown that his fame as a brilliant colourist was well-founded. His drawing is faulty, but his touch has qualities of breadth and freedom that give to his paintings a faint reflection of the charm of Reynolds.

Unusually Hoppner painted the background and perhaps more of a full length portrait of Charlotte, Countess Talbot by Thomas Gainsborough in 1788, the year in which Gainsborough died. It is now in the Dunedin Public Art Gallery.

Personal life

Hoppner was a man of great social power, and had the knowledge and accomplishments of a man of the world.

He married Phoebe Wright, the daughter of American-born sculptor Patience Wright. They had five children, although little is known about the youngest:

Catherine Hampden Hoppner (1784–1828), Magistrate, East India Company
Richard Belgrave Hoppner (1786–1872), British Consul general, Venice,[1]
Wilson (sometimes known as William) Lascelles Hoppner (1788-?), artist
Henry Parkyns Hoppner (1795–1833), officer of the Royal Navy, Arctic explorer, draughtsman/artist
youngest unknown Hoppner

References

Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Hoppner, John". Encyclopædia Britannica (11th ed.). Cambridge University Press.