Jan van Bijlert
Paintings
Girl with a Flute
Shepherd with a drinking bowl possibly Daifilo
Allegory of the sense of hearing. A young violinist in a red
Portrait of a Woman
Portraits of the Inhabitants at St Jobsgasthuis in Utrecht
Venus Chastising Cupid
Girl Teasing a Cat
Pulling of the Pretzel
An Allegory of the Sense of Smell
A Smoker
A Young Woman playing with a Cat
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A Young Woman playing with a Cat
Jan Hermansz van Bijlert (1597 or 1598 – November 1671) was a Dutch painter whose style was influenced initially by Caravaggio.
Biography
Jan van Bijlert was born in Utrecht, the son of the stained glass worker Herman Beernts van Bijlert. He may have had some training by his father. Subsequently he became a student of Abraham Bloemaert. Like other painters from Utrecht, he travelled in France and Italy. In 1621 he was, along with Cornelis van Poelenburch and Willem Molijn, a founding member of the circle of Dutch and Flemish artists in Rome known as the Bentvueghels. It was the custom among the Bentvueghels to adopt a nickname. Van Bijlert's nickname was "Aeneas".
In 1625 he was back in Utrecht, where he married and joined the schutterij. In 1630 he became a member of the Utrecht Guild of St. Luke and the Reformed church. During the years 1632-1637 he was active as deacon of the guild, and in 1634 he was appointed regent of the Sint-Jobsgasthuis. In 1639 he helped form a painter's school, the "Schilders-College", where he served as regent. He died in Utrecht.[1]
Work
Jan van Bijlert was a very prolific painter who left some 200 pictures. Upon his return from Rome he, like other Utrecht artists who had come under the influence of Caravaggio's work, painted in a style derived from that of Caravaggio. These Utrecht artists are referred to as the Utrecht Caravaggisti. The Caravaggesque style of van Bijlert’s early paintings shows itself in the use of strong chiaroscuro, the cutting off of the picture plane to create a close-up image and the realism of the representation. Van Bijlert continued to paint in this style throughout the 1620s.[2]
Around 1630 van Bijlert turned to a more classicising style, possibly under the influence of Cornelis van Poelenburgh. His colours became lighter and his subject matter became more elevated such as religious scenes. In the 1630s he also painted compositions with small figures, usually representing genre scenes of brothels or musical gatherings. These works were similar to those of the Utrecht painter Jacob Duck.
Van Bijlert also painted the portraits of eminent citizens of Utrecht such as burgomasters and nobles.[2]
His pupils included Bartram de Fouchier, Ludolf Leendertsz de Jongh, Johannes de Veer, Mattheus Wijtmans and Abraham Willaerts.[1]
References
Jan van Bijlert at the Netherlands Institute for Art History (Dutch)
Paul Huys Janssen. "Bijlert, Jan van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 13 Jul. 2014.
Sources
(Dutch) Joan Bylert biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
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