Henry Woods
San Trovaso. Venice
My Ferry
Henry Woods RA (22 April 1846 – 27 October 1921) was an English painter and illustrator, and one of the leading Neo-Venetian school artists.[1]
Early life
Henry Woods was born to a middle-class family at Warrington. His father, William, was a pawnbroker and for some time a town councillor; his mother, Fanny, a shopkeeper. He was the eldest of nine siblings.[2][3]
Woods studied at Warrington School where he received a Department of Science and Art bronze medal, and a scholarship to study at South Kensington School of Art, moving to London in 1865 with his fellow art student Luke Fildes: "the two became each other's greatest friend and artistic confidant for life."[2][4] In 1869 both Woods and Fildes became illustrators for The Graphic newspaper, and became associated with artists John Everett Millais, Hubert von Herkomer and Frank Holl. The same year Woods began exhibiting at Royal Academy exhibitions – his style influenced by Carl van Haanen and Eugene de Blaas – and continued to do so until his death.[1][5]
By 1871 Woods and Luke Fildes were lodging together in Finsbury, London, and later at 22 King Henry's Road, Haverstock Hill, where each had a studio. Both were part of an outdoor landscape sketching circle that included Marcus Stone and Charles Edward Perugini. In 1874 Woods became brother-in-law to Fildes through the marriage of Fildes to his sister, Fanny, also an artist.[1][5][6][7]
Venice
Portia by Henry Woods (1887)
Henry Woods (1846-1921), Three Women Contemplating Classical Art, 24 x 61 cm, oil on canvas (Private collection)
Woods first visit to Venice was in 1876, and, despite a few trips back to England, he stayed and worked there from 1878 to the end of his life, portraying everyday life of Venetian people.[5] He became friends with the artist colony of Ludwig Passini, August von Pettenkofen, van Haanen, Eugene de Blaas, Wolkoff, Ruben, and Thoren.[8] He met Whistler in 1879–80, introducing him to Roussoff, and befriended Sargent.[9] In the summer of 1880 he visited England and took up a commission in the Artists' Rifles – he had been a volunteer for some years – practicing maneuvers on Wimbledon Common, and posting guard at Royal Academy banquets.[10]
It was his 1881 Venice paintings At the foot of the Rialto and The Gondolier's Courtship that aided his associate membership of the Royal Academy in 1882; in 1893 he became a full member alongside Henry Moore and John MacWhirter.[11] Before 1882 he had a studio on the Casa Raffaelli, after which he took a larger studio overlooking the Grand Canal, near the church of San Maurizio,[12] while working at the village of Serra Valle during "the full heat of the Venetian summer."[13] One of the visitors to his studio was Empress Frederick, who discussed his Serra Valle paintings favourably. During 1890–92 Woods wrote letters from Venice for publication in The Daily Graphic.[14]
In 1889 a work submitted to the Paris Exposition Universelle won a bronze medal.[5]
Woods was also a member of The Arts Club, and an honorary member of the Accademia di Bella Arte.[15]
Death
Apart from two-and-a-half years prior to 1919, and occasional visits to England to exhibit at the Royal Academy, Woods remained in Venice until the end of his life, latterly at the Calcina Hotel near the Zattere.[16] On 27 October, in the morning, Woods was painting at the Ducal Palace and returned by gondola to the Calcina for lunch. The gondolier returned later and found Woods dead beside his easel. A memorial service was held at San Vio, the English Church, after which he was buried in the Protestant cemetery.[17]
Collections
The works of Henry Woods are held in private and public collections, including those at the Art Gallery of New South Wales, Sydney, the Government Art Collection, London, New York Public Library, the Royal Academy of Art, Tate Britain, Tyne and Wear Museums, Newcastle, and the Walker Art Gallery, Liverpool.[5]
Major works
1872 — A Monday Popular Concert. New York Public Library
1873 — Going Home. Warrington Museum & Art Gallery
1878 — A Country Studio. Private collection
1878 — Entrance to the Grand Canal. Government Art Collection
1879 — The convalescent. Art Gallery of New South Wales
1879 — On the Steps of the Rialto, Venice. Private collection
1879 — Scene from Victor Hugo's '93. Art Gallery of New South Wales
1880 — Street dealers in Venice. Kunsthalle Hamburg
1881 — At the foot of the Rialto. Private collection
1881 — The Gondolier's Courtship Private collection
1882 — A Venetian Fan Seller. Private collection
1884 — A rest on the steps, Venice. Private collection
1884 — Venetian Cloisters. Private collection
1885 — Cupid's Spell. Tate Gallery
1886 — A Venetian Canal. Private collection
1886 — The Water Wheels at Savassa, Italy. New Walk Museum, Leicester
1887 — Portia. Tyne and Wear Museums
1890 — A Canal in Venice. Private collection
1890 — La Promessa Sposa. Private collection
1891 — Street in Venetia. Brighton Museum & Art Gallery
1892 — In the Belfry of the Campanile of St. Mark's, Venice. Maas Gallery
1892 — The church of the Frari and school of San Rocco, Venice. Private collection
1893 — Cloisters, the Church of the Frari, Venice. Warrington Museum & Art Gallery
1893 — First Communion Veil. Warrington Museum & Art Gallery
1894 — In the Piazza. Private collection
1885 — Bartering. Private collection
1895 — Il Campo SS Giovanni e Paolo, Venice. Royal Academy of Arts
1896 — A Courtyard in Venice. Private collection
1896 — A Venetian Christening Party. Towneley Hall Art Gallery
1896 — A Street in the Rhone Valley. Private collection
1902 — Venetian Water Seller. Warrington Museum & Art Gallery
1903 — Fruit sellers from the islands, Venice. Private collection
1905 — A Venetian Vintage. Harris Museum and Art Gallery
1906 — A Venetian Beauty. Private collection
1906 — Rosina. Warrington Museum & Art Gallery
1907 — The Admonition. National Museums Liverpool
1912 — The Honeymoon. Private collection
1914 — Washing Day. Private collection
1915 — The Interior Of St.Peter Martyr, Murano Venice. Private collection
1916 — A Consultation. Private collection
1919 — Laundry Girls in Venice. Private collection
Further reading
Bacher, Otto: With Whistler in Venice, New York (1908)
Greig, James: The Art of Henry Woods, R.A. (London: Virtue & Co. 1915)
Bénézit, E.: Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Gravers, 8 vols, Paris (1954–61)
Johnson, J., and Gruetzner A.: Dictionary of British Artists 1880-1940, Woodbridge (1980)
MacDonald, Margaret F.: Palaces in the Night: Whistler in Venice, London (2001)
Sources
Fildes, Luke, Val: Luke Fildes R.A.: A Victorian Painter; Michael Joseph, London (1968)
References
Liverpool Museums. Retrieved 7 April 2013
Fildes 1968, p. 4.
1861 census Warrington, 17 Mersey Street. RG 9/2791 folio 92 p. 32
Luke Fildes, Spartacus Educational. Retrieved 7 April 2013
Henry Woods (1846 - 1921), Rehs Galleries, Inc.. Retrieved 7 April 2013
Fildes 1968, pp. 4, 19, 56.
Sir Samuel Luke Fildes, Royal Borough of Kensington and Chelsea. Retrieved 7 April 2013
Fildes 1968, p. 50.
The Correspondence of James McNeil Whistler, University of Glasgow Retrieved 7 April 2013
Fildes 1968, pp. 64-65.
Fildes 1968, pp. 69, 129.
Fildes 1968, p. 81.
Fildes 1968, p. 101.
Fildes 1968, pp. 118-119.
Fildes 1968, p. 220.
Fildes 1968, p. 217.
Fildes 1968, p. 220-221.
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