Briton Riviere
Paintings
Pallas Athena and the Herdsman's Dogs
A Stern Chase is a Long Chase,
Alfred Fowell Buxton (1854–1952), Chairman of London County Council
All that was left of the homeward bound
Childe Roland to the Dark Tower Came
Lady Harriet Sarah Wantage (1837–1920)
Lady Roundway of Devizes, Wiltshire
On the Bank of an African River
Playmates a Pug and Manchester Terrier
Studies of a Jack Russell Terrier
Study for Darwin’s Expression of the Emotions of Man and Animals,
Study for the dog in 'Requiescat'
The Miracle of the Gaderene Swine
The most devoted of her slaves
The Temptation in the Wilderness
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Briton Rivière RA (London 14 August 1840 – 20 April 1920 London) was a British artist of Huguenot descent. He exhibited a variety of paintings at the Royal Academy, but devoted much of his life to animal paintings.
Biography
His father, William Rivière (1806–1876), was for some years drawing-master at Cheltenham College, and then an art teacher at the University of Oxford. He was educated at Cheltenham College and Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father.[2] His paternal uncle Henry Parsons Rivière (1811–1888) was also a noted watercolourist, exhibiting works at the Royal Watercolour Society, London and the Royal Birmingham Society of Artists.
His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by The eve of the Spanish Armada, and in 1864 by a Romeo and Juliet. However, subjects of this kind did not attract him long, for in 1865 he began, with Sleeping Deerhound, a series of paintings of animal-subjects which occupied much of the rest of his life.[2] In a lengthy interview in Chums Boys Annual, entitled "How I paint animals", Rivière explained some of the practicalities of painting both tame and wild animals:
"I have always been a great lover of dogs but I have worked at them so much that I've grown tired of having them about me. However, you can never paint a dog unless you are fond of it. I never work from a dog without the assistance of a man who is well acquainted with animals..... Collies, I think, are the most restless dogs....greyhounds are also very restless, and so are fox terriers..... The only way to paint wild animals is to gradually accumulate a large number of studies and a great knowledge of the animal itself, before you can paint its picture...... I paint from dead animals as well as from live ones. I have had the body of a fine lioness in my studio..... I have done a great deal of work in the dissecting rooms at the Zoological Gardens from time to time."[3]
Early in his career, Rivière made some mark as an illustrator, beginning with Punch magazine. He was elected an Associate of the Royal Academy of Arts in 1878, and R.A. in 1881, and received the degree of Doctor of Civil Law at Oxford in 1891.[2] He was narrowly defeated in the election for President of the Royal Academy in 1896. His wife, Mary Alice Rivière (née Dobell; 1844–1931) who he married in 1867, was a painter and exhibited briefly at the Royal Academy of Arts in 1869–70. After his death she presented the British Museum with four of his drawings (and an etching The king drinks), which complements the dozens of prints made after his work housed there, especially by Frederick Stacpoole and William Henry Simmons. The artist and his wife had seven children; five sons and two daughters. One of the sons, Hugh Goldwin Rivière (1869–1956), became a portraitist.
Works
Paintings by Rivière are held by [4] public institutions including the Tate,[5] Metropolitan Museum of Art and Royal Holloway, University of London.[6]
Argus (1873)[7]
'There's many a slip twixt the cup and the lip' (1881)[8]
Bibliography
Armstrong, Sir Walter (1891). Briton Rivière, R.A; His Life and Work, The Art Annual.
References
Ann Lauren: Biography of Rivière
Public Domain One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Riviere, Briton". Encyclopædia Britannica 23 (11th ed.). Cambridge University Press. p. 387. This cites Sir Walter Armstrong, "Briton Riviere, R.A.: His Life and Work", Art Annual (1891).
'How I paint animals', Chums Boys Annual, No. 256, Vol. V, 4 August 1897
"Pallas Athena and the Herdsman's Dogs". The Metropolitan Museum of Art. Retrieved 1 May 2014.
"Briton Riviere". Tate. Retrieved 1 May 2014.
Chapel, Jeannie (1982). Victorian Taste, The complete catalogue of paintings at Royal Holloway College. Surrey: Royal Holloway College. pp. 126–27. ISBN 0 902194 08 9.
Samuel Armitage, his sale, Christie's, London, 13 June 1919, lot 155.
Frederick Smallfield, his sale, Christie's, London, 27 March 1896, lot 141.
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