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Sir John Everett Millais

Paintings

Pizarro Seizing the Inca of Peru

Pizarro Seizing the Inca of Peru

The Romans Leaving Britain

The Romans Leaving Britain

Ophelia

Ophelia

John Everett Millais

Blow Blow Thou Winter Wind

John Everett Millais

The Somnambulist

John Everett Millais

Red Riding Hood

John Everett Millais

Ducklings

John Everett Millais

Autumn Leaves

John Everett Millais

Jesus in the House of His Parents

John Everett Millais

A Baron Numbering his Vassals

John Everett Millais

A Beauty

John Everett Millais

A Christmas Story

John Everett Millais

A Disciple

John Everett Millais

A Dream of Fair Women

John Everett Millais

A Dream of Fair Women

John Everett Millais

A Dream of the Past - Sir Isumbras at the Ford

John Everett Millais

A Flood

John Everett Millais

A Highland Lassie

John Everett Millais

A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge

John Everett Millais

A Maid Offering a Basket of Fruit to a Cavalier

John Everett Millais

A New Ride, Kensington Gardens

John Everett Millais

A Picture of Health

John Everett Millais

A Souvenir of Velazquez

John Everett Millais

A Spanish Gentleman

John Everett Millais

A Tower of Strength

John Everett Millais

A wet day's pastime

John Everett Millais

A Widow's Mite

John Everett Millais

A Wolf's Den

John Everett Millais

A Young Girl Combing Her Hair

John Everett Millais

Accepted

John Everett Millais

Afternoon Tea

John Everett Millais

An English beauty in the manner of John Leech

John Everett Millais

An Idyll of 1745

John Everett Millais

Autumn Leaves

John Everett Millais

Blow, Blow Thou Winter Wind

John Everett Millais

Boys Rabbiting

John Everett Millais

Bright Eyes

John Everett Millais

Bubbles

John Everett Millais

Caller Herrin'

John Everett Millais

Charles I and his Son in the Studio of Van Dyck

John Everett Millais

Cherry Ripe

John Everett Millais

Chill October

John Everett Millais

Christ in the House of His Parents (`The Carpenter's Shop')

John Everett Millais

Christmas Eve

John Everett Millais

Cinderella

John Everett Millais

Clarissa

John Everett Millais

Cuckoo

John Everett Millais

Cymon And Iphigenia

John Everett Millais

Cymon And Iphigenia

John Everett Millais

Design for a Gothic Window

John Everett Millais

Design for a picture of 'The Canterbury Pilgrims'

John Everett Millais

Dew-Drenched Furze

John Everett Millais

Dora

John Everett Millais

Dora

John Everett Millais

Dorothea Thorpe

John Everett Millais

Drawing for The Deluge

John Everett Millais

Ducklings

John Everett Millais

Early Days

John Everett Millais

Edward Gray

John Everett Millais

Elgiva Seized by Order of Archbishop Odo

John Everett Millais

Elgiva seized by order of Odo, Archbishop of Canterbury

John Everett Millais

Enter Lord and Lady Fiddledidee

John Everett Millais

Esther

John Everett Millais

Ferdinand Lured by Ariel

John Everett Millais

Ferdinand Lured by Ariel

John Everett Millais

First Sketch for Ferdinand and Ariel

John Everett Millais

Fishing in Lock Achray

John Everett Millais

Flowing to the River

John Everett Millais

Flowing to the Sea

John Everett Millais

For the Squire

John Everett Millais

Forlorn

John Everett Millais

Getting Better

John Everett Millais

Girl's Head

John Everett Millais

Glen Birnam

John Everett Millais

Greenwich Pensioners At The Tomb Of Nelson

John Everett Millais

Happy Springtime

John Everett Millais

Hearts are Trumps

John Everett Millais

Hurdy Gurdy Boy

John Everett Millais

Il Penseroso

John Everett Millais

Infancy,

John Everett Millais

Isabella

John Everett Millais

James Wyatt and His Granddaughter Mary,

John Everett Millais

Jephthah,

John Everett Millais

Joan of Arc

John Everett Millais

John Ruskin study

John Everett Millais

Kirk

John Everett Millais

Landscape, Hampstead

John Everett Millais

Lear And Cordelia

John Everett Millais

Leisure Hours

John Everett Millais

Lingering Autumn

John Everett Millais

Little Miss Muffet

John Everett Millais

Little Speedwell's Darling Blue

John Everett Millais

Locksley Hall

John Everett Millais

Locksley Hall

John Everett Millais

Lord Lufton and Lucy Robartes

John Everett Millais

Love

John Everett Millais

Manhood,

John Everett Millais

Mariana,

John Everett Millais

Mariana,

John Everett Millais

'Mark', she said, 'the men are here'

John Everett Millais

Mary Millais with a huge catch of salmon by the Tay by her father

John Everett Millais

Master Currie

John Everett Millais

Meditation,

John Everett Millais

Mercy St Bartholomew's Day 1572,

John Everett Millais

Merry

John Everett Millais

Message the Sea,

John Everett Millais

Millais family,

John Everett Millais

Miss Currie,

John Everett Millais

Moorish soldiers

John Everett Millais

Moses, supported by Aaron and Hur, is praying for victory

John Everett Millais

Mrs Currie,

John Everett Millais

Music

John Everett Millais

My Beautiful Lady,

John Everett Millais

My First Sermon

John Everett Millais

My Second Sermon

John Everett Millais

News from home,

John Everett Millais

Non angli sed angeli

John Everett Millais

Old Age,

John Everett Millais

On the Water,

John Everett Millais

Original Drawing for 'Christ in the House of His Parents',

John Everett Millais

Peace Concluded

John Everett Millais

Pippa

John Everett Millais

Polly,

John Everett Millais

Pomona,

John Everett Millais

Portia

John Everett Millais

Portrait of a Girl

John Everett Millais

Portrait of Alice Gray,

John Everett Millais

Portrait of Annie Miller

John Everett Millais

Portrait of Anthony Ashley-Cooper (1801–1885), 7th Earl of Shaftesbury, President of the Bible Society

John Everett Millais

Portrait of Beatrice Caird, daughter of Sophy Caird

John Everett Millais

Portrait of Benjamin Disraeli, Earl of Beaconsfield (1804–1881), Prime Minister

John Everett Millais

Portrait of Cardinal John Henry Newman

John Everett Millais

Portrait of Charles Allston Collins,

John Everett Millais

Portrait of Charles Liddel,

John Everett Millais

Portrait of Diana Vernon,

John Everett Millais

Portrait of Edward Robert Bulwer Lytton (1831–1891), 1st Earl Lytton

John Everett Millais

Portrait of Effie Millais, nee Gray (1828–1897)

John Everett Millais

Portrait of Euphemia Chalmers Gray,

John Everett Millais

Portrait of George du Maurier (1834–1896)

John Everett Millais

Portrait of George Millais,

John Everett Millais

Portrait of Gertrude Vanderbilt Whitney

John Everett Millais

Portrait Of Gracia Lees,

John Everett Millais

Portrait of Hugh Cayley of Wydale

John Everett Millais

Portrait of Isabella Heugh

John Everett Millais

Portrait of James Paget (1814–1899), Lecturer and Surgeon at St Bartholomew's Hospital

John Everett Millais

Portrait of James Wyatt Junior (b.1812), Aged 65

John Everett Millais

Portrait of John Joseph Jones

John Everett Millais

Portrait of John Ruskin

John Everett Millais

Portrait of John Wycliffe Taylor

John Everett Millais

Portrait of Kate Perugini,

John Everett Millais

Portrait of Lillie Langtry,

John Everett Millais

Portrait of Lord Alfred Tennyson

John Everett Millais

Portrait of Lord Ronald Sutherland Gower (1845–1916), Sculptor and Writer ,

John Everett Millais

Portrait of Louise Jane Jopling,

John Everett Millais

Portrait of Luther Holden (1815–1905), Surgeon at St Bartholomew's Hospital (1865–1881) ,

John Everett Millais

Portrait of Margaret Fuller Maitland

John Everett Millais

Portrait of Marquess of Lorne

John Everett Millais

Portrait of Marquess of Salisbury (1830–1903), Lord Warden of the Cinque Ports

John Everett Millais

Portrait of Mary Chamberlain

John Everett Millais

Portrait of Miss Anne Ryan

John Everett Millais

Portrait of Miss Evelyn Tennant

John Everett Millais

Portrait of Moore’s ‘Lalla Rookh’,

John Everett Millais

Portrait of Mrs Bischoffsheim

John Everett Millais

Portrait of Mrs Coventry Patmore

John Everett Millais

Portrait of Mrs Isabella Elder (1828–1905) ,

John Everett Millais

Portrait of Mrs James Wyatt Jr and her Daughter Sarah

John Everett Millais

Portrait of Mrs William Evamy The Artists Aunt

John Everett Millais

Portrait of Nina Lehmann, aged nine, later Lady Campbell, full length in white dress

John Everett Millais

Portrait of Reverend John Caird (1820–1898), Principal of Glasgow University (1873–1898) ,

John Everett Millais

Portrait of Sir Arthur Seymour Sullivan,

John Everett Millais

Portrait of Sir Henry Thompson

John Everett Millais

Portrait of Sir Robert Pullar,

John Everett Millais

Portrait of Sophie Gray

John Everett Millais

Portrait of the artist's daughter, Mary, half length

John Everett Millais

Portrait of The Earl of Beaconsfield, Benjamin Disraeli,

John Everett Millais

Portrait of the Painter,

John Everett Millais

Portrait of Thomas Combe

John Everett Millais

Portrait of Thomas Hyde Hills (1815–1891), President of the Pharmaceutical Society (1873–1876),

John Everett Millais

Portrait of Thomas Oldham Barlow

John Everett Millais

Portrait of Twins, Grace and Kate Hoare,

John Everett Millais

Portrait of Wilkie Collins,

John Everett Millais

Portrait of William E. Gladstone (1809–1898) ,

John Everett Millais

Princess Elizabeth in Prison at St James’s,

John Everett Millais

Puss in Boots

John Everett Millais

Reflection

John Everett Millais

Retributio

John Everett Millais

Rosalind in the Forest

John Everett Millais

Saint Stephen

John Everett Millais

Scotch Firs

John Everett Millais

Self Portrait

John Everett Millais

Self Portrait

John Everett Millais

Serjeant Ralph Thomas

John Everett Millais

Sir John Everett Millais (1829–1896) by John Everett Millais and George Reid,

John Everett Millais

Sketch for 'Christ in the House of His Parents',

John Everett Millais

Sketches for Mariana and The Return of the Dove,

John Everett Millais

Sleeping,

John Everett Millais

Speak! Speak!,

John Everett Millais

Spring (Apple Blossoms),

John Everett Millais

St Martin's Summer,

John Everett Millais

St. Agnes' Eve,

John Everett Millais

St. Agnes' Eve,

John Everett Millais

Stella,

John Everett Millais

Study for 'Christ in the House of His Parents

John Everett Millais

Study for 'Christ in the House of His Parents

John Everett Millais

Study for 'Lorenzo and Isabella' (D. G. Rossetti],

John Everett Millais

Study for Ophelia

John Everett Millais

Study for 'The Black Brunswicker',

John Everett Millais

Study for 'The Black Brunswicker', Head detal,

John Everett Millais

Study for 'The Blind Girl',

John Everett Millais

Study of A Greek Girl, later Portia

John Everett Millais

Swallow Swallow,

John Everett Millais

Sweet Emma Morland

John Everett Millais

The Artist Attending the Mourning of a Young Girl,

John Everett Millais

The Auctioneer,

John Everett Millais

The best days sketching,

John Everett Millais

The Black Brunswicker, detail

John Everett Millais

The Black Brunswicker,

John Everett Millais

The Blind Girl,

John Everett Millais

The Blind Man

John Everett Millais

The Boyhood of Raleigh

John Everett Millais

The Bride of Lammermoor

John Everett Millais

The Bridesmaid,

John Everett Millais

The Conjuror,

John Everett Millais

The Convalescent

John Everett Millais

The Countess as barber

John Everett Millais

The Crawley Family

John Everett Millais

The Crawley Family

John Everett Millais

The Crown of Love

John Everett Millais

The Day-Dream

John Everett Millais

The Day-Dream

John Everett Millais

The Death of Romeo and Juliet

John Everett Millais

The Death of the Old Year

John Everett Millais

The Departure of the Crusaders

John Everett Millais

The Disentombment of Queen Matilda

John Everett Millais

The Dying Man

John Everett Millais

The Enemy Sowing Tares (St Matthew XIII, 24–25),

John Everett Millais

The Eve of St. Agnes

John Everett Millais

The Eve of St. Agnes

John Everett Millais

The Farmer's Daughter

John Everett Millais

The Foolish Virgins, published 1864

John Everett Millais

The Forerunner

John Everett Millais

The Ghost

John Everett Millais

The Girlhood of St Theresa

John Everett Millais

The Good Resolve

John Everett Millais

The Good Samaritan, engraved by the Dalziel Brothers, published 1863

John Everett Millais

The Good Shepherd, published 1864

John Everett Millais

The Hidden Treasure, published 1864

John Everett Millais

The Honourable John Nevile Manners

John Everett Millais

The Importunate Friend, published 1864

John Everett Millais

The Knight Errant

John Everett Millais

The Labourers in the Vineyard, published 1864

John Everett Millais

The Leaven, published 1864

John Everett Millais

The Lord of Burleigh

John Everett Millais

The Lost Piece of Silver, published 1864

John Everett Millais

The Lost Sheep, published 1864

John Everett Millais

The Love of James 1st of Scotland

John Everett Millais

The Marriage Feast, published 1864

John Everett Millais

The Matyr of the Solway (detal)

John Everett Millais

The Matyr of the Solway

John Everett Millais

The Miller's Daughter

John Everett Millais

The Miller's Daughter

John Everett Millais

The Minuet

John Everett Millais

The Mistletoe Gatherer

John Everett Millais

'The Moon is Up, and Yet it is not Night'

John Everett Millais

The Moorish Chief Engraving

John Everett Millais

The Nest

John Everett Millais

The North-West Passage

John Everett Millais

The Order of Release

John Everett Millais

The Pearl of Great Price, published 1864

John Everett Millais

The Pharisee and the Publican, published 1864

John Everett Millais

The Princes in the Tower

John Everett Millais

The Prodigal Son, published 1864

John Everett Millais

The Proposal

John Everett Millais

The Proscribed Royalist

John Everett Millais

The Race Meeting

John Everett Millais

The Ransom

John Everett Millais

The Rescue

John Everett Millais

The Return of the Dove to the Ark,

John Everett Millais

The Rich Man and Lazarus, published 1864

John Everett Millais

The Romans Leaving Britain

John Everett Millais

The Romans Leaving Britain

John Everett Millais

The Ruling Passion

John Everett Millais

The Sisters

John Everett Millais

The Somnambulist

John Everett Millais

The Sound of Many Waters

John Everett Millais

The Sower, published 1864

John Everett Millais

The Sweetest Eyes That Were Ever Seen

John Everett Millais

The Talking Oak

John Everett Millais

The Talking Oak

John Everett Millais

The Tares, published 1864

John Everett Millais

The Tribe of Benjamin Seizing the Daughter of Shiloh

John Everett Millais

The Unjust Judge and the Importunate Widow, published 1864

John Everett Millais

The Unmerciful Servant, published 1864

John Everett Millais

The Vale of Rest

John Everett Millais

The White Cockade

John Everett Millais

The Wicked Husbandman, published 1864

John Everett Millais

The Wise Virgins, published 1864

John Everett Millais

The Woodman's Daughter

John Everett Millais

The Woodman's Daughter

John Everett Millais

The Wrestlers

John Everett Millais

The Yeoman of the Guard,

John Everett Millais

Three Sword Hilts,

John Everett Millais

Trust Me

John Everett Millais

Vanessa

John Everett Millais

View Near Hampstead

John Everett Millais

Virtue and Vice,

John Everett Millais

Waiting

John Everett Millais

Waking

John Everett Millais

Wayside Refreshment

John Everett Millais

Wedding Cards

John Everett Millais

William Millais at Work

John Everett Millais

Winter Fuel,

John Everett Millais

Yes


Illustrations

John Everett Millais

On the evening of the Flood

John Everett Millais

Christ in the House of His Parents

John Everett Millais

Lady at the tournament

John Everett Millais

The horse racing

John Everett Millais

The money wedding

John Everett Millais

The Return of the Dove to the Ark

John Everett Millais

The Ethics wedding

John Everett Millais

Ferdinand lured by Ariel

John Everett Millais

Garden scene

John Everett Millais

Head of a Woman

John Everett Millais

Lorenzo and Isabella

John Everett Millais

Mariana in the moated castle

John Everett Millais

After the battle

John Everett Millais

Ophelia

John Everett Millais

Study of an old woman

John Everett Millais

The Lady of Shalott.

Sir John Everett Millais : Fine Art Prints | Greeting Cards | Phone Cases | Lifestyle | Face Masks | Men's , Women' Apparel | Home Decor | jigsaw puzzles | Notebooks | Tapestries | ...

Famous Artists - Ophelia by John Everett Millais

Ophelia

Sir John Everett Millais, 1st Baronet, PRA (/ˈmɪleɪ/; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. A child prodigy, at the age of 11 he became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his parents' house in London. Millais became the most famous exponent of the style, his painting Christ in the House of his Parents (1850) generating considerable controversy. By the late 1850s Millais was moving away from the Pre-Raphaelite style. His later works were enormously successful, making Millais one of the wealthiest artists of his day. However, they have typically been viewed by 20th century critics as failures. This view has changed in recent decades, as his later works have come to be seen in the context of wider changes in the art world.

Millais' personal life has also played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, who had supported Millais' early work. The annulment of the marriage and her marriage to Millais have sometimes been linked to his change of style.

Early life
Photo of Millais, c. 1854

Millais was born in Southampton, England in 1829, of a prominent Jersey-based family. His parents were John William Millais and Emily Mary Millais. Most of his early childhood was spent in Jersey, to which he retained a strong devotion throughout his life. The author Thackeray once asked him "when England conquered Jersey." Millais replied "Never! Jersey conquered England."[2] The family moved to Dinan in Brittany for a few years in his childhood.

His mother's "forceful personality" was the most powerful influence on his early life. She had a keen interest in art and music, and encouraged her son's artistic bent, promoting the relocating of the family to London to help develop contacts at the Royal Academy of Art. He later said "I owe everything to my mother".[3]

His prodigious artistic talent won him a place at the Royal Academy schools at the unprecedented age of eleven. While there, he met William Holman Hunt and Dante Gabriel Rossetti with whom he formed the Pre-Raphaelite Brotherhood (known as the "PRB") in September 1848 in his family home on Gower Street, off Bedford Square.


Pre-Raphaelite works
Mariana

Millais's Christ in the House of His Parents (1850) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1852), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia (1852) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". Mariana is painting that Millais painted 1851 based on the play Measure for Measure, by William Shakespeare. written between 1601 and 1606. In the play, the young Mariana was to be married, but was rejected by her when her dowry was lost in a shipwreck.

This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after they met she modelled for his painting The Order of Release. As Millais painted Effie they fell in love. Despite having been married to Ruskin for several years, Effie was still a virgin. Her parents realised something was wrong and she filed for an annulment.

Family
Photo assemblage of Millais' family circa 1870 (compiled by Emily Fane de Salis).
Left to right: Top line Everett Millais; Mrs Emily Millais;
Middle line: J.E, Millais, John Guille Millais; Effie Millais;
Bottom line: Caroline Alice Millais

In 1855, after her marriage to Ruskin was annulled, Effie and John Millais married. He and Effie eventually had eight children: Everett, born in 1856; George, born in 1857; Effie, born in 1858; Mary, born in 1860; Alice,[4] born in 1862; Geoffroy, born in 1863; John in 1865; and Sophie in 1868. Their youngest son, John Guille Millais, became a notable naturalist and wildlife artist.

Effie's younger sister Sophy Gray sat for several pictures by Millais, prompting some speculation about the nature of their apparently fond relationship.[5]

Later works

After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as "a catastrophe". It has been argued that this change of style resulted from Millais's need to increase his output to support his growing family. Unsympathetic critics such as William Morris accused him of "selling out" to achieve popularity and wealth. His admirers, in contrast, pointed to the artist's connections with Whistler and Albert Moore, and influence on John Singer Sargent. Millais himself argued that as he grew more confident as an artist, he could paint with greater boldness. In his article "Thoughts on our art of Today" (1888) he recommended Velázquez and Rembrandt as models for artists to follow. Paintings such as The Eve of St. Agnes and The Somnambulist clearly show an ongoing dialogue between the artist and Whistler, whose work Millais strongly supported. Other paintings of the late 1850s and 1860s can be interpreted as anticipating aspects of the Aesthetic Movement. Many deploy broad blocks of harmoniously arranged colour and are symbolic rather than narratival. From 1862, the Millais family lived at 7 Cromwell Place, Kensington, London.[6]


Blue Plaque, 7 Cromwell Place, Kensington

Later works, from the 1870s onwards demonstrate Millais's reverence for Old Masters such as Joshua Reynolds and Velázquez. Many of these paintings were of an historical theme and were further examples of Millais's talent. Notable among these are The Two Princes Edward and Richard in the Tower (1878) depicting the Princes in the Tower, The Northwest Passage (1874) and the Boyhood of Raleigh (1871). Such paintings indicate Millais's interest in subjects connected to Britain's history and expanding empire. Millais also achieved great popularity with his paintings of children, notably Bubbles (1886) – famous, or perhaps notorious, for being used in the advertising of Pears soap – and Cherry Ripe. His last project (1896) was to be a painting entitled The Last Trek. Based on his illustration for his son's book, it depicted a white hunter lying dead in the African veldt, his body contemplated by two Africans.
Landscapes 1870–92

Millais later in his career.

This fascination with wild and bleak locations is also evident in his many landscape paintings of this period, which usually depict difficult or dangerous terrain. The first of these, Chill October (1870) was painted in Perth, near his wife's family home. Chill October (Collection of Sir Andrew Lloyd Webber), was the first of the large-scale Scottish Landscapes Millais painted periodically throughout his later career. Usually autumnal and often bleakly unpicturesque, they evoke a mood of melancholy and sense of transience that recalls his cycle-of-nature paintings of the later 1850s, especially Autumn Leaves (Manchester Art Gallery) and The Vale of Rest (Tate Britain), though with little or no direct symbolism or human activity to point to their meaning. In 1870 Millais returned to full landscape pictures, and over the next twenty years painted a number of scenes of Perthshire where he was annually found hunting and fishing from August until late into the autumn each year. Most of these landscapes are autumnal or early winter in season and show bleak, dank, water fringed bog or moor, loch and riverside. Millais never returned to "blade by blade" landscape painting, nor to the vibrant greens of his own outdoor work in the early fifties, although the assured handling of his broader freer, later style is equally accomplished in its close observation of scenery. Many were painted elsewhere in Perthshire, near Dunkeld and Birnam, where Millais rented grand houses each autumn to hunt and fish. Christmas Eve, his first full landscape snow scene, painted in 1887, was a view looking towards Murthly castle.

Illustrations

Millais was also very successful as a book illustrator, notably for the works of Anthony Trollope and the poems of Tennyson. His complex illustrations of the parables of Jesus were published in 1864. His father-in-law commissioned stained-glass windows based on them for Kinnoull parish church, Perth. He also provided illustrations for magazines such as Good Words. In 1869 he was recruited as an artist for the newly founded weekly newspaper The Graphic. As a young man Millais frequently went on sketching expeditions to Keston and Hayes. Whilst there he painted a sign for an inn where he used to stay, near to Hayes church (cited in Chums annual, 1896, page 213).

Academic career
John Everett Millais by Thomas Brock at Tate Britain

Millais was elected as an associate member of the Royal Academy of Arts in 1853, and was soon elected as a full member of the Academy, in which he was a prominent and active participant. He was created a Baronet, of Palace Gate, in the parish of St Mary Abbot, Kensington, in the county of Middlesex, and of Saint Ouen, in the Island of Jersey, in 1885,[7] the first artist to be honoured with a Hereditary Title. After the death of Lord Leighton in 1896, Millais was elected President of the Royal Academy, but he died later in the same year from throat cancer. He was buried in St Paul's Cathedral.

Memorial statue

When Millais died in 1896, the Prince of Wales (later to become King Edward VII) chaired a memorial committee, which commissioned a statue of the artist.[8] This was installed at the front of the National Gallery of British Art (now Tate Britain) in the garden on the east side in 1905. On 23 November that year, the Pall Mall Gazette called it "a breezy statue, representing the man in the characteristic attitude in which we all knew him".[8]

In 1953, Tate Director, Sir Norman Reid, attempted to have it replaced by Auguste Rodin's John the Baptist, and in 1962 again proposed its removal, calling its presence "positively harmful". His efforts were frustrated by the statue's owner, the Ministry of Works. Ownership was transferred from the Ministry to English Heritage in 1996, and by them in turn to the Tate.[8] In 2000, under Stephen Deuchar's directorship, the statue was removed to the rear of the building.[8]

Media

Millais's relationship with Ruskin and Effie has been the subject of several dramas, beginning with the silent film The Love of John Ruskin from 1912. There have also been stage and radio plays and an opera. The 2014 film, Effie Gray, written by Emma Thompson, features Tom Sturridge as Millais.

The PRB as a whole have been the subjects of two BBC period dramas. The first, entitled The Love School, was shown in 1975, starring Peter Egan as Millais. The second was Desperate Romantics, in which Millais is played by Samuel Barnett. It was first broadcast on BBC 2 Tuesday, 21 July 2009.[9]

In 2004, the artists Hamilton and Ashrowan produced a work referencing Millais's landscape painting The Sound of Many Waters (1876).[10] The work was filmed at Rumbling Bridge on the River Braan in Perthshire, the site where Millais made the painting. It consisted of a 32 screen moving image installation at Perth Concert Hall, including a film of the Millais painting.[11]
Selected works in museums

The Blind Girl: Birmingham Museum & Art Gallery
Pizarro Seizing the Inca of Peru[12] V&A
The Two Princes Edward and Richard in the Tower: Picture Gallery of Royal Holloway College


Notes and references

"Millais, John Everett". Dictionary of National Biography (1st supplement). London: Smith, Elder & Co. 1901.
cited in Chums annual, 1896, page 213
J. N. P. Watson, Millais: three generations in nature, art & sport, Sportsman's Press, 1988, p.10
Later Alice Stuart-Wortley, she was a friend of the composer Edward Elgar, called by him "Windflower"
Suzanne Fagence Cooper (2010) The Model Wife
"''John Everett Millais 1829–1896,'' Tate Gallery, London". Tate.org.uk. Retrieved 2014-01-29.
The London Gazette: no. 25490. p. 3239. 14 July 1885.
Birchall, Heather. "Sir Thomas Brock 1847–1922", Tate online, February 2002. Retrieved 5 April 2008.
"BBC Drama Production presents Desperate Romantics for BBC Two" (Press release). BBC. 2008-08-07. Retrieved 23 October 2010.
Millais and The Sound of Many Waters by Dr. Ailsa Boyd, hamiltonashrowan.com, retrieved 3 March 2011
Video documentation ashrowan.com, retrieved 3 March 2011

"Pizarro Seizing the Inca of Peru".

Further reading
External video John Everett Millais - Mariana - Google Art Project.jpg
Millais's Mariana[1]
Sir John Everett Millais's Christ in the House of His Parents[2]
Sir John Everett Millais's Ophelia[3]
Millais' The Vale of Rest, all from Smarthistory[4]

Anonymous (1873). Cartoon portraits and biographical sketches of men of the day. Illustrated by Waddy, Frederick. London: Tinsley Brothers. pp. 8–9. Retrieved 28 December 2010.
Baldry, A. L. Sir John Everett Millais (London, G. Bell & Sons, 1908).
Barlow, Paul Time Present and Time Past: The Art of John Everett Millais, Ashgate 2005.
Bennett, Mary. Footnotes to the Millais Exhibition (Walker Art Gallery (Liverpool Bulletin, No 12 1967).
Bennett, Mary (catalogue) (Walker Art Gallery and Royal Academy catalogue 1967).
Campbell-Johnston, R (25 September 2007). "Master of Victorian values". Visual Arts (London: The Times). Retrieved 24 September 2007.
Daly, G (1989). Pre-Raphaelites in love. New York: Ticknor & Fields. ISBN 0-89919-450-8. OCLC: 18463706.
Eggeling, Dr Joe. Millais and Dunkeld The story of Millais's Landscapes (1985).
Goldman, Paul. Beyond Decoration: the Illustrations of John Everett Millais. Pinner, Middlesex: Private Libraries Association, 2005
Lutyens (ed). Millais and the Ruskins 1967.
Lutyens, M. Letters from John Everett Millais, Bart P.R.A. and William Holman Hunt. O.M. (The Walpole Society, 1972-4).
Mancoff, D. N. (ed). John Everett Millais beyond the Pre Raphaelite Brotherhood (London and New Haven, 2001).
Millais, John Guille. The Life and Letters of John Everett Millais. Volume 1, Volume 2 (London: Methuen, 1899).
National Portrait Gallery catalogue, 1999.
Rosenfeld, Jason and Smith, Alison (Tate Britain catalogue, 2007).
Reynolds, Matthew (24 October 2007). "Millais's high drama and low designs". London: The Times.
Spielmann, Marion. Notes on Millais Exhibition R.A. 1898.
F.G. Stephens. Grosvenor 1886 Exhibition of the works of John Everett Millais, Bt (Notes from a catalogue, 1886)
Warner, Malcolm. The Drawings of John Everett Millais (Arts council catalogue, 1979).
Williamson, Audrey (1976). Artists and Writers in Revolt – The Pre-Raphaelites.

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