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The souls of the human dead, in the form of butterflies, were borne to the Elysian Fields on the back of a dolphin.
Norman Douglas, Birds and Beasts of the Greek Anthology

Greek Mythology

Elysian Fields , Arnold Böcklin

Greek Elysian Fields

In Greek mythology Elysium ( Ἠλύσιον , μακάρων πέδιον ) was a section of the Underworld (the spelling Elysium is a Latinization of the Greek word Elysion). "Elysium is an obscure and mysterious name that evolved from a designation of a place or person struck by lightning, enelysion, enelysios. (Burkert 1985 p. 198)

The Elysian fields were the final resting place of the souls of the heroic virtuous. Two passages in Homer established for Greeks the nature of the Afterlife: the dreamed apparition of the dead Patroclus in the Iliad and the more daring boundary-breaking visit in Odyssey. Greek traditions concerning funerary ritual were reticent, but the Homeric examples encouraged other heroic visits, in the myth cycles accreted upon Theseus and upon Heracles (Campbell 1948; Ruck and Staples 1994).

The Elysian Fields lay on the western margin of the earth, by the encircling stream of Oceanus (Odyssey), and there the mortal relatives of the king of the gods were transported, without tasting death, to enjoy an immortality of bliss (Odyssey book iv: 563). Hesiod refers to the Isles of the Blessed (makarôn nêsoi, μακάρων νῆσοι ) in the Western Ocean (Works and Days). Pindar makes it a single Isle. Walter Burkert notes the connection with the motif of far-off Dilmun: "Thus Achilles is transported to the White Isle and becomes the Ruler of the Black Sea, and Diomedes becomes the divine lord of an Adriatic island." (Burkert 1985, p. 198).

In Elysium were fields of the pale liliaceous asphodel, and poplars grew. There stood the gates that led to the house of Ais (in Attic dialect "Hades").

Elysium in Literature

Virgilian Elysium

Among the poets to interpret Elysium is Virgil, who describes an encounter there between Aeneas and his father Anchises. Virgil's Elysium knows perpetual spring and shady groves, with its own sun and lit by its own stars solemque suum, sua sidera norunt (Aeneid book vi:541).

In the Renaissance, the heroic population of the Elysian Fields tended to outshine its formerly dreary pagan reputation; the Elysian Fields borrowed some of the bright allure of paradise. In Paris, the Champs-Élysées retain their name of the Elysian Fields, first applied in the late 16th century to a formerly rural outlier beyond the formal parterre gardens behind the royal French palace of the Tuileries.

After the Renaissance, as popular poets became less influenced by reading Greek and Latin literature, and images of Valhalla entered the popular European imagination, an even cheerier Elysium evolved for some poets. Sometimes it is imagined as a place where heroes have continued their interests from their lives. Others suppose it is a location filled with feasting, sport, song; Joy is the "daughter of Elysium" in Friedrich Schiller's Ode to Joy.

Dante had a very different idea of the Elysian Fields - he described them as the very upper level of hell, a place of peace that the unbaptized and the non-believers who lived virtuous lives go. It is a place of happiness, but it is closed off from God and thus remains as hell.

When shipwrecked Viola is told in William Shakespeare's Twelfth Night

"This is Illyria, lady."

VIOLA: "And what should I do in Illyria? My brother he is in Elysium."

is her answer, and "Elysium" for her and her first Elizabethan hearers simply means Paradise.

The Elysian Fields are also mentioned in A Streetcar Named Desire by Tennessee Williams as the home of Stanley and Stella and are a setting in the second act of Elmer Rice's The Adding Machine.

Greek Mythology

In Elysium, Charles Sims

"Geographical" Elysian Fields

In the Renaissance, the heroic population of the Elysian Fields tended to outshine its formerly dreary pagan reputation; the Elysian Fields borrowed some of the bright allure of paradise.

In Harrison County, Texas, a rural community is Elysian Fields, Texas. New Orleans, Louisiana, filled with French place names, has a major street named Elysian Fields Ave.

In Paris, France, the avenue that starts at the Place de la Concorde and ends in the Arc de Triomphe is the famous Avenue Champs Élysées. It was first applied in the late 16th century to a formerly rural outlier beyond the formal parterre gardens behind the royal French palace of the Tuileries.
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Alexander Cartwright invented modern baseball at the Elysian Fields in Hoboken, New Jersey.

In Mexico City, Campos Eliseos is a street in Polanco neighbourhood where several of the city's best hotels and restaurants are located.


"Poetical" Elysium

After the Renaissance, as popular poets became less influenced by reading Greek and Latin literature, and images of Valhalla entered the popular European imagination, an even cheerier Elysium evolved for some poets. Sometimes it is imagined as a place where heroes have continued their interests from their lives. Others suppose it is a location filled with feasting, sport, song; Joy is the "daughter of Elysium" in Friedrich Schiller's Ode to Joy. (Examples of this other picture of Elysium are needed here, if available)

Dante had a very different idea of the Elysian Fields - he described them as the very upper level of hell, a place of peace that the unbaptized and the non-believers who lived virtuous lives go. It is a place of happiness, but it is closed off from God and thus remains as hell.

Elysian Fields, 1877, Arnold Böcklin, Oskar Reinhart Foundation, Winterthur.

Reference

  • Greek Religion, Walter Burkert
  • Joseph Campbell, The Hero with a Thousand Faces 1948
  • Carl A.P. Ruck and Danny Staples, The World of Classical Myth 1994: "The Liminal Hero"

Elysian Fields Print by Carlos Schwabe

Elysian Fields, Carlos Schwabe

Elysian Fields Print by Arthur Bowen Davies

Elysian Fields, Arthur Bowen Davies

Greek Mythology

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