.
Detail 200460, London, British Museum, E38
Vase Number: 200460
Athenian Red-figure Cup
Provenance: Etruria, Vulci
525 to 475 BC
Inscriptions: Signature: PYTHONEPOIESEN
Attributed To: Python Potter By Signature
Epiktetos By Signature
Decoration: B: Symposium, Men, Youth with Oinochoe, Woman Playing Pipes
I: Komos, Youth Playing Pipes, Woman In Deer Skin with Krotala
A: Herakles and Busiris
# Collection Record:
# Publication Record:
Lexicon Iconographicum Mythologiae Classicae: III, PL.128, BOUSIRIS 11 (A)
Durand, J.-L., Sacrifice et Labour en Grece ancienne (Paris, 1986): 112, FIG.30 (A)
Keuls, E., The Reign of the Phallus (New York, 1985): 164, FIG.137 (I)
Brommer, F., Herakles, 2 ed (Koln, 1972): PL.11A (A)
Brijder, H., Ancient Greek and Related Pottery, Proceedings of Vase Symposium (Amsterdam, 1984): 276, FIG.1 (PART OF A)
Paquette, D., L'Instrument de musique dans la ceramique de la grece antique (Paris, 1984): 135, CB2 (PART OF A)
Lissarrague, F., Thelamon, F. (eds.), Image et Ceramique Grecque (Rouen, 1983): 159, FIG.6 (DRAWING OF A)
Revue Archeologique: 1982, 215, FIG.14 (A)
Birchall, A., and Corbett, P., Greek Gods and Heroes (London,1974): FIG.32 (A)
Lawler, L., Dance in Ancient Greece (London, 1964): 129, FIG.54 (DRAWING OF I)
Hagenow, G., Aus den Weingarten der Antike (Mainz, 1982): 49, FIG.17 (I)
Schefold, K., Gotter und Heldensagen der Griechen in der spatarchaischen Kunst (Munich, 1978): FIG.172 (A)
Robertson, C., History of Greek Art (Cambridge, 1975): PL.78A,B (I,A)
Munchner Jahrbuch der Bildenden Kunst: 27 (1976) 36, FIG.9 (I)
Cook, R.M., & Charleston, R., Masterpieces of Western and near-Eastern Ceramics (Tokyo, 1979): PL.62, FIG.45 (I,A)
Journal of Hellenic Studies: 95 (1975) PL.14B (I)
Cohen, B., Attic Bilingual Vases (New York, 1978): PL.95.2 (I)
Boardman, J., Athenian Red Figure Vases (London, 1975): 58, HEAD DETAILS 2
van Straten, F.T., Hiera Kala: Images of Animal Sacrifice in Archaic and Classical Greece (Leiden, 1995): FIG.50 (A)
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 72.16, 1623
Rouet, P., Approaches to the Study of Attic Vases (Oxford, 2001): PL.16 (I)
Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Koln, 2000): 223, FIG.8.10 (I)
Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.73.1 (A, B, I)
Revue Archeologique: 1988, 1, 111, FIG.3 (I)
Boardman, J., (ed.), La ceramica antica (Milan, 1984): 212 (I)
Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 167
Antike Welt: 1988, SONDERNUMMER, 49, FIG.73 (I)
Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse (Munich, 1983): 114, FIG.104 (I)
Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 82
Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse, 2nd ed. (Munich, 1995): 114, FIG.104 (I)
Peschel, I., Die Hetare bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PLS 55, 82 (B, I)
Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 185, PL.63 (I)
Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 820, FIG.33 (I)
Reinsberg, C., Ehe, Hetarentum und Knabenliebe im antiken Griechenland (Munich, 1989): 95, FIG.41 (I)
Beazley, J.D., Paralipomena (Oxford, 1971): 328
Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.33.2 (I)
Sonnabend, H. (ed.), Mensch und Landschaft, Lexikon der Historischen Geographie (Stuttgart and Weimar, 1999): 540, FIG.92 (I)
West, M.L., Ancient Greek Music (Oxford, 1992): PL.31 (I)
Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 88, PLS.77-78 (B, I)
Boardman, J., The Diffusion of Classical Art in Antiquity (London, 1994): 249, FIG.7.22C (DRAWING OF I)
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