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Sebastiano Galeotti

The finding of Moses Print by Attributed to Sebastiano Galeotti

The finding of Moses

Alegorical Female Figure Print by Sebastiano Galeotti

Alegorical Female Figure

Hector's Farewell to Andromache and Astyanax Print by Sebastiano Galeotti

Hector's Farewell to Andromache and Astyanax

Bacchus and Ceres Attended by Putti and a Marine Deity Print by Sebastiano Galeotti

Bacchus and Ceres Attended by Putti and a Marine Deity

Sebastiano Galeotti (1656–1746) was a peripatetic Italian painter of the late-Baroque period, active in Florence, Genoa, Parma, Piacenza, Codogno, Lodi, Cremona, Milan, Vicenza, Bergamo, and Turin.

Born in Florence, he was a pupil of the painter Alessandro Gherardini, Felice Torelli, and Giovanni Gioseffo dal Sole. He collaborated with Giovanni Domenico Ferretti or Francesco Natali of Cremona in some projects, and among his pupils were Vincenzo Meucci.

He painted with Natali in the Oratory of Santa Maria delle Grazie, Parma.

He helped decorate with frescoes the rooms of the Farnese Rocca in Sala Baganza. Died in Mondovì working for the House of Savoy. He decorated the church of the Magdalen in Genoa. In Turin, he was appointed director of the Academy, the precursor of the Accademia Albertina.

His son Giuseppe was active in Liguria as a painter.


References

Hobbes, James R. (1849). Picture collector's manual adapted to the professional man, and the amateur. T&W Boone, 29 Bond Street; Digitized by Googlebooks. p. 97.
biography
Soprani, Raffaello (1769). Carlo Giuseppe Ratti, ed. Delle vite de' pittori, scultori, ed architetti genovesi; Tomo secundo scritto da Carlo Giuseppe Ratti. Stamperia Casamara in Genoa, dalle Cinque Lampadi, con licenza de Superiori; Digitized by Googlebooks from Oxford University copy on Feb 2, 2007. pp. 362–367.
Lanzi, Luigi (1847). Thomas Roscoe (translator), ed. History of Painting in Italy; From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century. III. London; Original from Oxford University, Digitized January, 2007: Henry G. Bohn. p. 284.----

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