Robert Lewis Reid
Paintings
Her First Born
The Mirror
Fleur de Lis
The Yellow Flower aka The Artist's Wife in the Garden
Three Figures in an Italian Garden
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The Mirror
Robert Lewis Reid (July 29, 1862 – December 2, 1929) was an American Impressionist painter and muralist.
Life and work
Robert Reid was born in Stockbridge, Massachusetts and attended the School of the Museum of Fine Arts, Boston under Otto Grundmann, where he was also later an instructor. In 1884 he moved to New York City, studying at the Art Students League, and in 1885 he went to Paris to study at the Académie Julian under Gustave Boulanger and Jules Joseph Lefebvre. His early pictures were figures of French peasants, painted at Étaples.[1]
Upon returning to New York in 1889, he worked as a portraitist and later became an instructor at the Art Students League and Cooper Union. Much of his work centered on the depiction of young women set among flowers. His work tended to be very decorative, and he became known for mural decoration and designs for stained glass. He contributed with others to the frescoes of the dome of the Liberal Arts Building at the Columbian Exposition, Chicago, in 1893.
In 1897, Reid was a member of the Ten American Painters, who seceded from the Society of American Artists. In 1906 he became a full member of the National Academy of Design. Around the turn of the century, Reid worked on several mural projects and when he returned to paintings, around 1905, his work was more naturalistic, even though his palette trended toward soft pastels.
He has work in the Congressional Library, Washington, D.C., the Appellate Court House, New York, and the State House, Boston, where are his three large panels, “James Otis Delivering his Speech against the Writs of Assistance,” “Paul Revere's Ride” and the “Boston Tea Party.” He executed a panel for the American Pavilion at the Paris Exhibition, 1900, and in 1906 he completed a series of ten stained glass windows for the Unitarian Memorial Church at Fairhaven, Mass.. Reid's “The Martyrdom of St. Paul” is located at the southwestern end of the nave of the Church of St. Paul the Apostle in New York City.
Robert Reid's murals for the Palace of Fine Arts building at the Panama–Pacific International Exposition (San Francisco, 1915) were an extraordinary tribute to the Arts. Eight huge panels graced the ceiling of the rotunda: The Four Golds of California (Golden Metal, Wheat, Citrus Fruits, and Poppies); plus Ideals in Art, Inspirations of All Arts, the Birth of European Art and Birth of Oriental Art[2] These paintings no longer exist in San Francisco's Palace of Fine Arts, which was re-built in the 1960s. Their current whereabouts is unknown.
He died in Clifton Springs, New York.
References
Chisholm 1911.
"The Art of the Exposition - Eugen Neuhaus - The Mural Decorations". books-about-california.com.
Attribution
Chisholm, Hugh, ed. (1911). "Reid, Robert". Encyclopædia Britannica (11th ed.). Cambridge University Press.
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