Pierre Emmanuel Eugene Damoye
River Landscape with Cornfield
Lavandiers on the Water
Heather Landscape
Cows in a Meadow
Landscape with Figures resting on a Path and the Sea in the Distance
The Wheat Field
Pierre Emmanuel Damoye was a French artist born in Paris on February 20, 1847. He studied his craft at the École des Beaux-Arts and went on to become a renowned and influential landscape artist noted for his sweeping skies, tree studded-plains, and vibrant farmlands. He was regularly recognized by a broad range of art critics as one of the most significant heirs to the Barbizon school tradition.
Teachers & Influences
Damoye studied at the École des Beaux-Arts in the studio of Léon Bonnat, one of the foremost figure painters and portraitists of the late nineteenth-century. Damoye, however, seems to have committed himself to landscape art from the beginning of his career. His earliest dated works from the late 1860s also clearly reveal the influence of both Jean-Baptiste-Camille Corot and Charles-François Daubigny, from whom he acquired both a brighter range of colors and a looser, more ‘impressionist’ brush style. And, although he was cognizant of the example of Corot and Daubigny, he built his repertoire of compositions and favored sites quite independently of the two ‘old masters’ of river landscape, thus developing a very personalized color scheme.
He is also one of the principal artists associated with the ‘school of Pontoise’, a group of young landscapists who painted primarily along the riverbanks of the Seine and Oise Rivers, north of Paris, often establishing homes in Pontoise. He also painted the river banks and upland plateaus of the Oise and Seine basins, worked frequently in Picardy and throughout the great Loire valley. He also made at least one trip to the Normandy coast.
Exhibitions & Recognition
Damoye began to exhibit at the Salon of 1875 with a landscape titled L’hiver, and by 1879 he had won his first medal, a bronze or third class honor, beginning an unusually rapid rise for a landscape painter. In 1884 he received a second class medal, followed by a very prestigious gold medal at the grand, centennial Exposition Universelle (1889). He was inducted into the Légion d'honneur in 1893 and became a member of the Salon jury in 1900. Despite such official recognition, however, Damoye was instrumental in forming the break-away Société Nationale des Beaux-Arts, a rival exhibition association, and he continued to be associated with the ‘Salon du Champ-de-Mars’ until his death in 1916.[1]
Death & Legacy
Pierre Emmanuel Damoye died in 1916 and is buried in the famous Père Lachaise Cemetery in Paris, along with Frédéric Chopin, Marcel Marceau, Molière, Jim Morrison, Marcel Proust, Gertrude Stein, as well as fellow artists Eugène Delacroix, Max Ernst, Camille Pissarro, Jean-Baptiste-Camille Corot, Jacques-Louis David, Georges-Pierre Seurat.[2]
Damoye's works can be seen in the Musée du Louvre, Paris; Musée d'Orsay, Paris; Musée des Beaux-Arts, Bordeaux; Musée des Beaux-Arts, Troyes, France; and the National Museum of Art, Bucharest, Romania; Ateneum Art Museum, Helsinki. Given his skill and status among 19th Century artists, his works have also been highly sought by private collectors, resulting in an impressive record of successful auction transactions, including Christie's (New York, $30,000), Osenat (Paris, $11,470), Sotheby's (New York, $10,800), Beaussant Lefevre (Paris, $10,230), among others.[3] [4]
References
Dictionnaire des Petits Maitres de la Peinture 1820-1920, by Gerald Schurr & Pierre Cabanne, pg. 400
http://www.pere-lachaise.com/perelachaise.php?lang=en accessed on 7/29/10
http://www.artprice.com accessed 7/29/10
http://www.askart.com accessed 7/29/10
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