Phyllis Wiener (September 17, 1921 – January 1, 2013[1]) was an American painter. Wiener was one of the first female artists to embrace the Abstract Art Movement in Minnesota.[2]
Life and work
Winer was born in Iowa City, Iowa. She studied with Grant Wood at the University of Iowa, 1940; Russel Green at Stephens Columbia College (Missouri), 1944; Cameron Booth at University of Minnesota in Minneapolis, 1950- 1953 & 1960-1962: and the Instituto Allende, Guanajuato, Mexico, 1961. Her first group exhibition was in Boulder, Colorado with the Boulder Artist's Guild in 1941. By 1944 her art had reached all regions of the United States. Then from 1954 - 1959 the American Federations of Arts Traveling Exhibition included her artworks. Under the U.S. State Department in 9162 her paintings were in a group exhibition that toured American Embassies of Europe providing international exposure. Her artwork was exhibited at the American Embassy in Papua New Guinea by the U.S. State Demaprment 1997.[3] Her art career encompasses teaching art at the Walker Art Center, University of Minnesota at Minneapolis in the Extension Division and General College, Minnetonka Art Center at Minnetonka, Normandale Jr. College at Edina, and the College of St. Catherine at St. Paul.[4]
Artistic style
Wiener's art was created, and then signed with her different last names throughout her life, since American women assumed their husbands last name during this era. This occurrence is common with women artists and if not documented will cause confusion in their lifetime body of work. Her maiden name is Zager with no art created under this name. She created, worked and exhibited under the following last names during these years: Phyllis Downs (1939–1961), Phyllis Ames (1962–1968) and Phyllis Wiener (1971–present).[5] Wiener's work over the years has incorporated many interests, ranging from landscape and figure elements to multicultural textile patterns. Wiener became one of the first woman artists to garner serious attention in the male-dominated art world of the 1950s and 60s.[6]
In 1981, Phyllis Wiener said: “Cameron Booth taught me about painting. I had many painting instructors, but Cameron Booth knew, and taught me, Abstract Expressionist ideas. It was the way I came into painting.”[7]
In 2005, Molly Priesmeyer said in City Pages:
During the '50s, Wiener was one of the few exhibiting woman artists in Minnesota. (Four of the 23 artists in "Abstract Painting: Selected Works" are female.) "There was a lot of chauvinism," she says. "I remember one time someone said, 'There are few women who ever make it.' And my friend said to him, 'Well! You know, there are few men who ever make it, too!'"[8]
Selected public and corporate collections of Wiener’s work
3M Company, St. Paul, MN
American Association of University Women
Art Center of Minnetonka Wayzata, MN
Augsburg College, Minnesota, MN (Padillo Collection)
Boynton Health Service, University of Minnesota, Minneapolis, MN
Briggs and Morgan Law Firm, Minneapolis, MN
Bucks County Community College, Newtown, P A
Cardiac Surgical Associates, San Antonio, TX
Cathedral Church of St. Mark, Minneapolis, MN
Child Psychiatry Dept University of Minnesota, MN
Concordia College, St. Paul, MN
College of St. Catherine, St. Paul, MN
College of St. Theresa, Winona, MN
Curtin and Mahoney Law Firm, Minneapolis, MN
Dorsey, Windhorst, Hannaford Law Firm, Minneapolis, MN
Downers Grove Public Library, Downers Grove, IL
Employers Mutual Insurance of Wausau, WI
Federal Land Bank, St. Paul, MN
First National Bank, Lincoln, NE
First Bank Systems, Minneapolis, MN
First National Bank of Blue Earth, MI
First National Bank of Minneapolis, MN (International Division)
First Southdale Bank, Edina, MN
Franciscan Hospitals, Rock Island, IL
Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN
Grand Rapids Art Center, Grand Rapids, MI
Hennepin County Hospitals, Minneapolis, MN
Hodne, Stageborg, Architects and Planners, Minneapolis, MN
Hutchinson Technology, Hutchinson, MN
IDS Properties, Minneapolis, MN
Interdistrict Downtown School, Minneapolis, MN
Katz, McAndrews, Durkee & Telleere, Rock Island, IL
Knutson Companies, Inc, Minneapolis, MN
Leonard, Street & Deinard Law Firm, Minneapolis, MN
Lindquist and Vennum Law Firm, Minneapolis, MN
Lutheran Brotherhood, Minneapolis, MN
Macalaster College, St. Paul, MN
Mayo Clinic, Scottsdale, AZ
Medtronic Corporation, Minneapolis, MN
Minneapolis Institute of Arts, MN
Minneapolis Inter District School, MN
Minnesota Gas Company, Minneapolis, MN
Minnesota Museum of American Art, St. Paul, MN
Minnesota State Historical Society, St. Paul, MN
Museum of Kuopio, Kuopio, Finland
National Bank of Commerce, Lincoln, NE
NBC Center, Lincoln, NE
Normandale College, Bloomington, MN
North American Life Insurance, Minneapolis, MN
Northwestern Bank, Rochester, MN
Pillsbury World Headquarters, Minneapolis, MN
QWEST (previously Northwestern Bell Telephone Co) Omaha, NE
Temple Aaron, St. Paul, MN
Total Petroleum Co, Denver, CO
Walker Art Center, MN
Weisman Art Museum at University of Minnesota, MN
Wilson Library, University of Minnesota, Minneapolis, MN
Wells Fargo Bank, Minneapolis, MN
References
"Obituary: Phyllis Wiener, painter, feminist and 'object maker'". StarTribune.com. 2013-01-03. Retrieved 2013-02-10.
Minneapolis artist Phyllis Wiener was one of the first female painters in Minnesota’s abstract art movement
Phyllis Wiener By Janet G. Smith September 2006
http://www.citypages.com/2005-02-02/arts/rhapsody-in-blue-and-red-and-yellow/ Phyllis Wiener. Minnesota's first abstract painters were connected through artist Cameron Booth, a one-time landscape artist who taught at the St. Paul School of Art from 1929 to 1942 and joined the University of Minnesota in 1948.
BIOGRAPHY FOR AMERICAN ARTISTS PHYLLIS WIENER by Janet G. Smith, art consultant, art historian (2006)
Phyllis Wiener (b. 1921)
Quoted from A Retrospective Exhibition Phyllis Ames Wiener, © 1981 Phyllis Ames Wiener.
By Molly Priesmeyer: During the '50s, Wiener was one of the few exhibiting woman artists in Minnesota. (Four of the 23 artists in "Abstract Painting: Selected Works" are female.)
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