Moritz Daniel Oppenheim
The Return of the Volunteer from the Wars of Liberation
Shavuot. Pentecost
Self-Portrait
Moritz Daniel Oppenheim (January 7, 1800 in Hanau, Germany – February 26, 1882 in Frankfurt am Main) was a German painter who is often regarded as the first Jewish painter of the modern era. His work was informed by his cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert. Oppenheim is considered by the scholar Ismar Schorsch to be in sympathy with the ideals of the Wissenschaft des Judentums movement, because he remained "fair to the present" without denying his past.
Biography
Oppenheim was born to Orthodox Jewish parents at Hanau, Germany in 1800; he died at Frankfurt am Main in 1882. His niece was the wife of student and fellow painter Benjamin Prins, Rosa Benari.
He received his first lessons in painting from Conrad Westermayr, in Hanau, and entered the Munich Academy of Arts at the age of seventeen. Later he visited Paris, where Jean-Baptiste Regnault became his teacher, and then went to Rome, where he studied with Bertel Thorwaldsen, Barthold Georg Niebuhr, and Johann Friedrich Overbeck. There he studied the life of the Jewish ghetto and made sketches of the various phases of its domestic and religious life, in preparation for several large canvases which he painted upon his return to Germany. In 1825 he settled at Frankfurt, and shortly after exhibited his painting David Playing Before Saul, to see which a great number of admirers from all parts of Europe visited his studio. In 1832, at the instance of Goethe, Charles Frederick, Grand Duke of Saxe-Weimar-Eisenach conferred upon him the honorary title of professor.
Selected works
Oppenheim's studies of Jewish life, his pictures of Emperor Joseph II and Moses Mendelssohn, and his portraits from life of Ludwig Börne and other contemporary Jewish notables, established his reputation as one of the foremost Jewish artists of the nineteenth century. His Return of the Jewish Volunteer is among his most famous works and was frequently reproduced; others include Mignon and the Harper, Italian Genre Scene, Confirmation, and Sabbath Blessing. All these are characteristic examples of his power of conception and skill at grouping.
References
This article incorporates text from a publication now in the public domain: Isidore Singer and Frank Cramer (1901–1906). "Oppenheim, Moritz Daniel". In Singer, Isidore; et al. Jewish Encyclopedia. New York: Funk & Wagnalls Company.
Jewish Expression in Twentieth-Century Fine Arts
Moritz Daniel Oppenheim in the German National Library catalogue
Museen Hanau: Die Entdeckung des jüdischen Selbstbewußtseins in der Kunst
Georg Heuberger/Anton Merk: Die Entdeckung des jüdischen Selbstbewußtseins in der Kunst
Der Zyklus "Bilder aus dem altjüdischen Familienleben" und sein Maler
Georg Heuberger/Anton Merk: Moritz Daniel Oppenheim - Die Entdeckung des jüdischen Selbstbewußtseins in der Kunst. Wienand Verlag 1999.
Claus Stephani: Das Bild des Juden in der modernen Malerei. Eine Einführung. / Imaginea evreului în pictura modernă. Studiu introductiv. Traducere în limba română de Ion Peleanu. (Zweisprachige Ausgabe, deutsch-rumänisch. Ediţie bilingvă, româno-germană.) Editura Hasefer: Bucureşti, 2005. ISBN 973-630-091-9
Ruth Dröse, Frank Eisermann, Monica Kingreen, Anton Merk: Der Zyklus "Bilder aus dem altjüdischen Familienleben" und sein Maler Moritz Daniel Oppenheim. CoCon-Verlag Hanau. ISBN 3-928100-36-X
External links
The Wedding, 1861 – Moritz Oppenheim The Israel Museum, Jerusalem
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