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Gustav Alexander Max Uth (24 November 1863, Berlin - 15 June 1914, Hermannswerder, Potsdam [1]) was a German painter of landscapes and art teacher.

Uth was the son of a manufacturer and enrolled at the Academy of Art in Berlin under Eugen Bracht. He opened his own atelier for women painters in 1897[2] in Berlin; among his students were Gertrud Berger (1870–1949), Laura Schaberg (1860 or 1866-1935) and Sophie Wencke-Meinken (1874–1963).

Paintings by him were among those exhibited in the AEG electricity pavilion at the Paris Exposition Universelle in 1900[3] and in the German Pavilion at the St. Louis World's Fair in 1904.[4] He was one of the founding members of the Berlin Secession in 1899, and one of the sixteen artists to leave it in 1902.[5][6]


Notable works

Am Bach. Sommerliche Stimmung, am Ufer eines Baches steht ein Angler. (n.d.; oil on canvas; 70 x 70 cm)
Landsitz in der Mark. (ca. 1900; oil on canvas; 88 x 99 cm) [7]
Der Biergarten. (ca. 1910; oil on canvas; 75,5 x 85 cm) [8]
Dünenlandschaft. (oil on canvas; 40 x 54 cm) [9]

References

kettererkunst.de
Modersohn-Becker, Paula; Busch, Günter; von Reinken, Liselotte; et al. (1998). Paula Modersohn-Becker, the Letters and Journals. Northwestern UP. p. 450. ISBN 9780810116443.
"Electrical Exhibits at the Paris Exhibition: The Exhibit of the Allgemeine Elektricitäts-Gesellschaft, Berlin". Engineering: 660. 23 November 1900.
Germany, Reichskommission, Weltausstellung in St. Louis (1904). International Exposition St. Louis 1904: Official Catalogue: Exhibition of the German Empire. Berlin: Stilke. p. 394. OCLC 1061947.
"Beiblatt". Deutsche Zeitschrift (in German). 4 (1). 1902. p. 382.
Elias, Julius (1902). "Sezession und Sezessiönchen". Die Zukunft (in German). 38. pp. 409–14.
File:Max Uth Landsitz in der Mark.jpg
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