Luigi Premazzi
Paintings
View of Lake Maggiore
Mauntainous Landscape. Twilight. Study
Bedroom in the Great Palace of Tsarskoye Selo
Dilapidated Shed in a Garden Sketch
Fontanka River near the Chernyshov Bridge St Petersburg
Homestead with a Barn in the Village of Murino, Sketch
Interior of the Cathedral of Our Lady of Kazan St Petersburg
Interiors of the New Hermitage The Gallery of Flemish Painting
Interiors of the New Hermitage The Room of Ancient Sculpture
Interiors of the New Hermitage The Room of Coins and Medals
Interiors of the New Hermitage The Room of Dutch and Flemish Art
Interiors of the New Hermitage The Room of French Art
Interiors of the New Hermitage The Room of Italian Art
Interiors of the New Hermitage The Room of Modern Sculpture
Interiors of the New Hermitage The Room of Modern Sculpture
Interiors of the New Hermitage The Room of Russian Sculpture
Interiors of the New Hermitage The Study of Italian Art
Interiors of the Winter Palace The Bedchamber of Empress Maria Alexandrovna
Interiors of the Winter Palace The Dressing Room of Empress Maria Alexandrovna
Interiors of the Winter Palace The Green Dining Room
Interiors of the Winter Palace The Study of Empress Maria Alexandrovna
Interiors of the Winter Palace The White Hall
Island of Fishermen on Lake Maggiore
Landscape with the Cameron Gallery and the Zubov Building
Large Drawing room in the Mikhailovsky Palace St Petersburg
Mansion of Baron Stieglitz The Ballroom
Mansion of Baron Stieglitz The Blue Drawing Room
Mansion of Baron Stieglitz The Concert Hall
Mansion of Baron Stieglitz The Dining room
Mansion of Baron Stieglitz The Dining room
Mansion of Baron Stieglitz The Drawing Room
Mansion of Baron Stieglitz The Golden Drawing Room
Mansion of Baron Stieglitz The Library
Mansion of Baron Stieglitz The Main Study
Mansion of Baron Stieglitz The Study of Baroness Stieglitz
Mansion of Baron Stieglitz The Supper room
Mansion of Baron Stieglitz The White Drawing Room
Perspective View of Nevsky Prospekt from the Anichkov Bridge St Petersburg Sketch
Rose Pavilion in the Lugovoi Park in Peterhof
Rose Pavilion in the Lugovoi Park in Peterhof
Saddled Horse and a Horseman Study
Sketch of the Moika River near the Politseisky Bridge St Petersburg
View of Nevsky Prospekt from the Alexander Theatre St Petersburg Sketch.
View of the Cathedral of Our Lady of Kazan from Nevsky Prospekt St Petersburg Sketch
View of the Cathedral of Our Lady of Kazan from the Catherine Canal St Petersburg Sketch
View of the Neva Embankment near the Admiralty St Petersburg
View of the New Hermitage from Millionnaya Street
View of the New Hermitage from Millionnaya Street
Wooden House with a Kennel and a Lilac Sketch
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Luigi Premazzi (Milan, 1814 – Istanbul, Turkey, 1891) was an Italian painter, mainly of watercolor vedute.
Biography
Premazzi attended the Brera Academy of Fine Arts and then the private school run by Giovanni Migliara. His early watercolours, based on the works of his master, were produced for the lithographic industry. His oeuvre is characterised by a repertoire of urban views (vedute) produced in accordance with the dictates of perspective painting. While most of these are set in Milan, other Italian cities were also featured in later years. His smooth, precise painting also shows the influence of his contemporary Luigi Bisi in its descriptive focus on architectural detail. He presented work regularly at the exhibitions of the Società Promotrice di Belle Arti in Turin from 1842 to 1848 as well as those of the Brera Academy. Having moved to Saint Petersburg around 1850, he became a teacher at the Imperial School of Fine Arts there in 1861. Frequent stays in the Caucasus and the Middle East provided new subjects for his paintings, which he continued to send to Italian exhibitions, where they aroused wonder and curiosity.
He displayed many watercolors at the 1880 Exposition Nazionale of Fine Arts in Turin, including: Camera da pranzo; Saint Basil's Cathedral in Moscow; The Villa of Prince Voronzow in Crimea; The Convent of St George the Pure in Crimea; The Takeiseray and Capo di San Giorgio near Balaclava. Many of his depictions were of ruins of Christian churches in the Caucasus. He also painted Défilé du Darial (Darial Gorge), The Convent at Kutaisi (Gelati Monastery), and Mount Arafat. In Tiflis (Tbilisi), he painted a watercolor of the Via dei Calzolari Asiatici; Houses and Tartar Bazaar : Angolo di Case sul gran mercato; Angolo di case al ponte Aolabar, Via Sienskaja, The Magnificent Aolobar Bridge over the Kura River, The Right Bank of the Kura River, and the Piazza del gran Mercato Maydan. He also painted a watercolor of the Italian vista of Baveno on Lago Maggiore. At the 1881 Venice Exposition, he displayed Vadrzia and Convento scavato. [1]
References
Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti, by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 390.
Elena Lissoni, Luigi Premazzi, online catalogue Artgate by Fondazione Cariplo, 2010, CC BY-SA (source for the first revision of this article).
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