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Lorenzo Pasinelli

The Penitent Magdalene Print by Lorenzo Pasinelli

The Penitent Magdalene

A Sybil inspired by a Putto. The Budrioli Sybil Print by Lorenzo Pasinelli

A Sybil inspired by a Putto. The Budrioli Sybil

The Penitent Mary Magdalen Print by Lorenzo Pasinelli

The Penitent Mary Magdalen

The Annunciation Print by Lorenzo Pasinelli

The Annunciation

Lorenzo Pasinelli

The Adoration of the Shepherds

Lorenzo Pasinelli

Allegory of Eternity

Lorenzo Pasinelli

Fainting Cornelia, wife of Pompey

Lorenzo Pasinelli

The risen Christ visits his Mother accompanied by the Fathers of the Church

Lorenzo Pasinelli

Hercules at the Crossroads

Lorenzo Pasinelli

Christ's entry into Jerusalem

Lorenzo Pasinelli

The Penitent Magdalen

Lorenzo Pasinelli

Diana in the bath with her nymphs

Lorenzo Pasinelli

A Sybil inspired by a putto The Budrioli Sybil

Lorenzo Pasinelli

Eritrean Sybil

Lorenzo Pasinelli

Libyan Sibyl

Lorenzo Pasinelli

St. Catherine

Lorenzo Pasinelli

Lutenist

Lorenzo Pasinelli

Roman Charity

Lorenzo Pasinelli

St. Catherine of Alexandria

Lorenzo Pasinelli

St. Cecilia

Lorenzo Pasinelli

Sibyl

Winged Putti with Open Music Books Print by Lorenzo Pasinelli

Winged Putti with Open Music Books

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The Penitent Magdalene Print by Lorenzo Pasinelli

The Penitent Magdalene

Lorenzo Pasinelli (September 4, 1629 – March 4, 1700) was an Italian painter from Bologna of the Baroque period, who trained in the studio of Simone Cantarini.

Despite that training, his works have an air of Mannerism. He collaborated after 1648 with Flaminio Torre. He is known to have painted a Miracle of St. Anthony for the church of San Francesco (now found in San Petronio) He painted for the local Senatore Francesco Ghisilieri a Love disarmed by the nymphs of Diana, now found in the Pinacoteca BPER of Modena. Attributed to Pasinelli, in the same collection is an atypical, almost genre-like allegory of a Young Girl with an Open Cage. He painted a Holy Family and a Resurrection of the dead for the church of San Francesco in Bologna. He also painted Christ's Entry into Jerusalem for the former Certosa in Bologna.[1]

His pupils included Gian Antonio Burrini, Gioseffo dal Sole, Giovanni Pietro Zanotti, Giuseppe Maria Mazza, Antonio Lorenzini, and Donato Creti.

   

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