Jean-Paul Laurens
Paintings
Study for the central figure in the ceiling of the Palais de la Legion d'Honneur
Le Chemin De La Maloche
The Death of Galswintha
The Fire
John Chrysostom and Aelia Eudoxia
Pope Formosus and Stephen VI - The Cadaver Synod
The Byzantine Emperor Honorius
The Last moments of Maximilian, Emperor of Mexico
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Jean-Paul Laurens (Fourquevaux 28 March 1838 – 23 March 1921 Paris), was a French painter and sculptor, and one of the last major exponents of the French Academic style. He was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical mise-en-scène, came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens' lifetime.
Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monumental series on the life of Saint Genevieve in the apse of the Panthéon, the decorated ceiling of the Odéon Theater, and the hall of distinguished citizens at the Toulouse capitol. He also provided illustrations for Augustin Thierry's Récits des temps mérovingiens ("Accounts of Merovingian Times").
Laurens was highly respected teacher at the Académie Julian, Paris, and a professor at the École nationale supérieure des Beaux-Arts in Paris, where he taught André Dunoyer de Segonzac and George Barbier. Two of his sons, Paul Albert Laurens (1870–1934) and Jean-Pierre Laurens (1875–1932), both also became painters and teachers at the Académie Julian.
Notable students
In 1870, the year when the newly created Kingdom of Italy carried out the Capture of Rome and put an end to the Pope's temporal power, Laurens made this painting of the Cadaver Synod, a notorious Medieval event reflecting badly on the Papacy's reputation
Marjorie Bates[1]
Georges Dufrénoy
Thomas Cooper Gotch
Christian Herter of Herter Brothers
A. Y. Jackson
Leon Kroll
René Schützenberger
Alfred Garth Jones
Cecilia Cutescu-Storck
Karl Yens
Sears Gallagher
References
Bates at Panvertu.com accessed 29 December 2007
Further reading
Desjardins, M. H. (2004) Des peintres au pays des falaises 1830 - 1940. Fécamp: Éditions des falaises; pp. 108 – 114
Jean-Paul Laurens 1838 - 1921, peintre d'histoire, Catalogue d'exposition, Musée d'Orsay. Paris: RMN, 1997
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