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Hans Springinklee

Drawings

Hans Springinklee

Rest on the Flight

Illustrations

Hans Springinklee

The Bacchante

Hans Springinklee

The imperial family is mourning the death of Emperor Maximilian I, upper part of the leaf

Hans Springinklee

The imperial family is mourning the death of Emperor Maximilian I, lower part of the leaf

Hans Springinklee

Beheading of St. Barbara

Hans Springinklee

Women bath

Hans Springinklee

St. St. Anne

Hans Springinklee

St. Ursula

Hans Springinklee

Emperor Maximilian I with his patron saint

Hans Springinklee

Portrait of Johann Stabius as St. Koloman

Hans Springinklee

Fall of man

Hans Springinklee

Unknown Coat of Arms

Hans Springinklee

Coat of Stephen Rosinus

Hans Springinklee

Miracle of St. Wilgefortis

Hans Springinklee (c.1490/c.1495 – c.1540) was a German artist from Nuremberg, best known for his woodcuts. He was a pupil of Albrecht Dürer. Little written evidence remains of Springinklee's life, and neither his exact dates of birth or death are known. He was born in Nuremberg between 1490 to 1495, was alive in 1524, and died no later than 1540. In 1547, Johann Neudörffer the Elder wrote that Springinklee had lived with, and learned his craft from, Albrecht Dürer. His first woodcuts date from 1512–1513, but there is no evidence of his presence in Nuremberg after 1524, and it is presumed that he had left Nuremberg by that date. The first documentary evidence dates to 1520, when the council of Nuremberg commissioned him to decorate rooms in Nuremberg Castle before a visit of the Holy Roman Emperor Charles V. On 10 September 1527, his two daughters mentioned that he had left them in Nuremberg three years before, and his father, Jörg Springinklee, had been paying for their maintenance. His name is absent from church records, but the astronomer Johann Gabriel Doppelmayr said in 1730 that Springinklee had lived in Nuremberg until 1540. As a pupil of Dürer, Springinklee was involved in creating a number of works commissioned by Emperor Maximilian I, including the monumental 192-panel woodcut the Triumphal Arch. The first prints with his monogram, HSK, date to 1513: Das Wunder der Heilige Wilgeffortis (The Miracle of Saint Wilgefortis), and a sheet from Maximilian's Weißkunig entitled Kaiser Maximilian ehret das Andenken der Vorväter (Emperor Maxamilian honouring the memory of his ancestors).
From 1516, Springinklee mainly produced illustrations for the bibles published by Anton Koberger, mostly of Old Testament scenes. He also created over 100 woodcuts for several editions of the prayerbook Hortulus animae.

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