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Gregorio Lazzarini

Rinaldo and Armida Print by Gregorio Lazzarini

Rinaldo and Armida

Galatea on a dolphin with tritons and putti Print by Gregorio Lazzarini

Galatea on a dolphin with tritons and putti

Rebecca and Eliezer at the Well Print by Gregorio Lazzarini

Rebecca and Eliezer at the Well

Portrait of a Bishop Print by Gregorio Lazzarini

Portrait of a Bishop

Dido and the bull's hide Print by Gregorio Lazzarini

Dido and the bull's hide

Portrait of Antonio Correr Print by Gregorio Lazzarini

Portrait of Antonio Correr

Gregorio Lazzarini

Orpheus and the Bacchantes

Gregorio Lazzarini

Merit Offers the Command to Doge Morosini

Gregorio Lazzarini

Doge Morosini Offers the Reconquered Morea to Venice

Gregorio Lazzarini

Rinaldo and Armida

Gregorio Lazzarini

Jael and Sisera

Gregorio Lazzarini

Allegory of the Civil Power

Gregorio Lazzarini

Love - Women with 3 Children

Gregorio Lazzarini

Erminia cutting off her Hair

Gregorio Lazzarini

Diana and Actaeon

Gregorio Lazzarini

Battlepiece

Gregorio Lazzarini

Redeemer Christ

Gregorio Lazzarini

Mythological Scene

Gregorio Lazzarini

Perseus and Andromeda

Gregorio Lazzarini

Rebecca and Eliezer at the Well

Gregorio Lazzarini

Tarquin and Lucretia

Gregorio Lazzarini

The Finding of Moses

Gregorio Lazzarini

The Temptation of Joseph

Gregorio Lazzarini

Tiberius Gracchus killing a Serpent

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Rinaldo and Armida Print by Gregorio Lazzarini

Rinaldo and Armida

Gregorio Lazzarini (1657 – 10 November 1730) was a Italian painter of mythological, religious and historical subjects, as well as portraits. Best known for first training Giambattista Tiepolo, he was one of the most successful Venetian artists of the day and a prominent teacher. His own style was somewhat eclectic.

Life

Born in Venice, the son of a barber,[n 1] he was the brother of the proficient painter, Elisabetta Lazzarini (1662–1729). He trained initially with the Genovese painter Francesco Rosa, then with Girolamo Forabosco, and lastly in the studio of Pietro della Vecchia.[2] He joined the painters' guild in Venice in 1687. Active in Venice until at least 1715,[2] he spent most of his life in the Venetian Republic.

He was a prolific painter.[1] Some of his works decorate the Sala dello Scrutinio of the Doge’s Palace in Venice. A group of his paintings are on view inside the Sala San Tommaso at the basilica of Santi Giovanni e Paolo. He also painted a San Lorenzo Giustiniani for the Patriarcal house. His overtly academic style, which changed little during his career, combined the solidity of Emilian painting of the Baroque period with the rich colours of the Venetian school.[2]

One of the most successful Venetian artists of the day[3] and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen.[2] He was reputed to be a patient teacher who imparted a broad knowledge of artistic styles for the portrayal of mythological and historical subjects; according to his contemporary biographer, Vincenzo da Canal, "the young who desired to get ahead in the pictorial arts chose Lazzarini as their master".[4][n 2] Other pupils of Lazzarini included Gaspare Diziani[2] and Bartolomeo Ignazio Capello.[6]

Lazzarini died on 10 November 1730 in Villabona Veronese (now Villa d'Adige in Badia Polesine), having moved there in September to stay with his brother, the local priest.[1]

Orpheus and Bacchantes
Merit offers Command to Doge Morosini

Circle of Jean-Baptiste Le Prince A gallant couple before the Embarkation for Cythera,

Notes and references

Notes

The contemporary biography, Vita di Gregorio Lazzarini by Vincenzo da Canal, which was originally compiled in 1732 (published, 1809), provides an essential source of information on Lazzarini's life and works.[1]

A nobleman from Vicenza, da Canal wished to record the achievements of teacher and student alike.[4] He acknowledges that Tiepolo quickly abandoned Lazzarini's "diligent manner, and, being all fire and spirit, adopted one that was rapid and free".[5]

References

Sorce, Francesco (2005). "Lazzarini, Gregorio". Dizionario Biografico degli Italiani (in Italian) 64. Treccani. Retrieved 25 May 2014.
Warma, Susanne Juliane. "Lazzarini, Gregorio". Oxford Art Online. Oxford University Press. Retrieved 25 May 2014. (subscription required)
Pedrocco, Filippo (1996). "Becoming Tiepolo". In Christiansen, Keith. Giambattista Tiepolo, 1696-1770. New York: Metropolitan Museum of Art. p. 37. ISBN 978-0-87099-812-6.
Barcham, William L. "Tiepolo: (1) Giambattista Tiepolo". Oxford Art Online. Oxford University Press. Retrieved 26 May 2014. (subscription required)
Chilvers, Ian, ed. (2009). "Tiepolo, Giambattista". The Oxford Dictionary of Art and Artists. Oxford University Press. p. 624. ISBN 0-19-953294-X.

Scrittori ed artisti trentini, by Francesco Ambrosi, Giovanni Zippel Editor, 1883, Trento, page 95.

Bryan, Michael (1889). Walter Armstrong and Robert Edmund Graves, ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 30.

Further reading

Da Canal, Vincenzo (1809). Vita di Gregorio Lazzarini (in Italian). Venice: Stamperia Palese.

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