Francesco Solimena
Paintings
The Birth of the Virgin
Minerva with Chronos and History
Dido receiving Aeneas and Cupid disguised as Ascanius
Bacchus and Ariadne
Aurora Taking Leave of Tithonus
Dido receiving Aeneas and Cupid disguised as Ascanius
Noli Me Tangere
Death of Messalina
Diana and Callisto Surprised
Madonna And Child
Joseph and Potiphar's Wife
The Finding of Moses
Mystic Marriage of Saint Catherine
An Allegory of Justice
The Royal Hunt of Dido and Aeneas
Venus at the Forge of Vulcan
The Deposition
Emperor Charles VI and Gundacker, Count Althann
Saint Michael the Archangel Defeating the Rebel Angels
The Risen Christ Appearing to the Virgin
Saint John the Baptist
Saint Augustine triumphing over Heresy
Christ and the Woman of Samaria
Charles VI and Count Gundakar Althann
Dido receiving Aeneas and Cupid disguised as Ascanius
Saints Tecla Archelaa and Susanna being taken to their martyrdom
Studio of Francesco Solimena
Juno accompanied by Iris gives Argus Charge of Io transformed into a Cow
The Education of the Virgin
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The Ascension of the Virgin
Francesco Solimena (October 4, 1657 – April 3, 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Biography
Francesco Solimena was born in Canale di Serino, near Avellino.
He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera (a place where he spent a big part of his life) and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra.
He settled in Naples in 1674, there he worked in the studio of Francesco di Maria and later Giacomo del Po.[1] He apparently had taken the clerical orders, but was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII).[2] By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his art—for he was a highly conventional painter—after the Roman Baroque masters, Luca Giordano and Giovanni Lanfranco, and Mattia Preti, whose technique of warm brownish shadowing Solimena emulated. Solimena painted many frescoes in Naples, altarpieces, celebrations of weddings and courtly occasions, mythological subjects, characteristically chosen for their theatrical drama, and portraits. His settings are suggested with a few details—steps, archways, balustrades, columns—concentrating attention on figures and their draperies, caught in pools and shafts of light. Art historians take pleasure in identifying the models he imitated or adapted in his compositions. His numerous preparatory drawings often mix media, combining pen-and-ink, chalk and watercolor washes.
A typical example of the elaborately constructed allegorical "machines" of his early mature style, fully employing his mastery of chiaroscuro, is the Allegory of Rule (1690) from the Stroganoff collection, which has come to the State Hermitage Museum, St Petersburg.
He apparently hoped to see his son Orazio follow a career in the law, for which he received a doctorate (de Domenici), but also became a painter.
Career
His large, efficiently structured atelier became a virtual academy, at the heart of cultural life in Naples. Among his many pupils were Francesco de Mura (1696–1784), Giuseppe Bonito (1707–89), Pietro Capelli, Domenico Mondo, Onofrio Avellino, Scipione Cappella, Giovanni della Camera,[3] Francesco Campora,[4] Leonardo Oliviero,[5] Salvatore Olivieri,[6] Salvatore Pace.,[7] Romualdo Polverino.[8] Evangelista Schiano, Gaspare Traversi, and most notably Corrado Giaquinto and Sebastiano Conca. The Scottish portraitist Allan Ramsay spent three years in Solimena's studio.[9] Solimena amassed a fortune, was made a baron and lived in sumptuous style founded on his success. Francesco Solimena died at Barra, near Naples, in 1747.
References
Biographical catalogue of the principal Italian painters, by a lady [M. Farquhar] ed. R.O. Wornum, by Maria Farquhar; Published 1855; Original from Oxford University; Googlebooks Digitized Jun 27, 2006
Cardinal Vincenzo Orsini (later Pope Benedict XIII)
Boni, Filippo de' (1852). Biografia degli artisti ovvero dizionario della vita e delle opere dei pittori, degli scultori, degli intagliatori, dei tipografi e dei musici di ogni nazione che fiorirono da'tempi più remoti sino á nostri giorni. Seconda Edizione.. Venice; Googlebooks: Presso Andrea Santini e Figlio. pp. page 171.
Boni, page 177
Memorie storiche degli scrittori nati nel regno di Napoli, by Camillo Minieri-Riccio, page 243.
Minieri-Riccio, page 243.
Minieri-Riccio, page 248.
Minieri-Riccio, page 279.
"Francesco Solimena, Charles Beddington Limited". Archived from the original on January 8, 2014.
For sacristy of San Paolo Maggiore in Naples', Whitfield Fine Art
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