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Félix Vallotton

Paintings

Woman with a Black Hat Print by Felix Vallotton

Woman with a Black Hat

Family of Trees Print by Felix Vallotton

Family of Trees

Setting Sun in the Mist Print by Felix Vallotton

Setting Sun in the Mist

Orange and Violet Sky Print by Felix Vallotton

Orange and Violet Sky

Old Street in Cagnes. Sunset Print by Felix Vallotton

Old Street in Cagnes. Sunset

Nude Woman kneeling in Front of a Red Couch Print by Felix Vallotton

Nude Woman kneeling in Front of a Red Couch

Remembering Romanel Print by Felix Vallotton

Remembering Romanel

The Patient Print by Felix Vallotton

The Patient

The Cook Print by Felix Vallotton

The Cook

Eglise Sainte-Anne a Cagnes Print by Felix Vallotton

Eglise Sainte-Anne a Cagnes

The Pont Neuf Bridge Print by Felix Vallotton

The Pont Neuf Bridge

Women carrying baskets in Marseille Print by Felix Vallotton

Women carrying baskets in Marseille

Small Bather sitting on the Sand Print by Felix Vallotton

Small Bather sitting on the Sand

Edge of the Wood Print by Felix Vallotton

Edge of the Wood

The Sheaves Print by Felix Vallotton

The Sheaves

Woman and Guitar Print by Felix Vallotton

Woman and Guitar

Track in the Bois de Boulogne Print by Felix Vallotton

Track in the Bois de Boulogne

View of Zermatt Print by Felix Vallotton

View of Zermatt

Blonde Bather walking in the Water Print by Felix Vallotton

Blonde Bather walking in the Water

The Fields. Plateau of Red Cross Print by Felix Vallotton

The Fields. Plateau of Red Cross

Little Bathers Print by Felix Vallotton

Little Bathers

The Wood of Boulogne Print by Felix Vallotton

The Wood of Boulogne

Nude Standing Woman Print by Felix Vallotton

Nude Standing Woman

Lake of Bois de Boulogne Print by Felix Vallotton

Lake of Bois de Boulogne

Female Acrobat Print by Felix Vallotton

Female Acrobat

Green Vase and White Bowl Print by Felix Vallotton

Green Vase and White Bowl

La Femme Aux Roses Print by Felix Vallotton

La Femme Aux Roses

Paysage Maritime Print by Felix Vallotton

Paysage Maritime

The Poker Game Print by Felix Vallotton

The Poker Game

The Dyke at Honfleur Print by Felix Vallotton

The Dyke at Honfleur

Baigneuse Buste Print by Felix Vallotton

Baigneuse Buste

The Wind Print by Felix Vallotton

The Wind

Chairs. Varengeville Print by Felix Vallotton

Chairs. Varengeville

Woman with Rose Print by Felix Vallotton

Woman with Rose

Félix Vallotton

Self-portrait of the artist at the age of 20 years

Félix Vallotton

The Rape of Europa

Félix Vallotton

Aicha

Félix Vallotton

The Visit or The Top Hat, Interior

Félix Vallotton

Portrait of Young Delisle

Félix Vallotton

Felix Jasinski in his Printmaking Studio

Félix Vallotton

July 14, Etretat

Félix Vallotton

Les Charbonnières

Félix Vallotton

View of Zermatt

Félix Vallotton

Young Girl Painting

Félix Vallotton

The Seamstress

Félix Vallotton

The Bistro

Félix Vallotton

Outskirts of Lausanne

Félix Vallotton

Mountain Passage

Félix Vallotton

Lake Geneva

Félix Vallotton

Path in the Forest, Oléron

Félix Vallotton

Portrait of Edouard Vuillard

Félix Vallotton

Portrait of Thadée Natanson

Félix Vallotton

Misia at her Desk

Félix Vallotton

The Red Room

Félix Vallotton

The Artist’s Wife at her Dressing Table

Félix Vallotton

Interior, Red Armchair and Figures

Félix Vallotton

Gabrielle Vallotton doing her nails

Félix Vallotton

Interior with a Woman in a Nightgown

Félix Vallotton

Women Carrying Wood

Félix Vallotton

Les Colchiques

Félix Vallotton

Rock Wall in Bex

Félix Vallotton

Romanel Landscape

Félix Vallotton

Remembering Romanel

Félix Vallotton

Port of Marseille

Félix Vallotton

Barges Banks of the Seine

Félix Vallotton

Old Street in Nice

Félix Vallotton

Place de Clichy, Paris

Félix Vallotton

Honfleur and the Bay of the Seine

Félix Vallotton

Near Honfleur

Félix Vallotton

Decorative Portrait of Hector Berlioz

Félix Vallotton

The Toast

Félix Vallotton

The Poker Game

Félix Vallotton

The Five Painters: Bonnard, Vuillard, Roussel, Cottet, and Vallotton

Félix Vallotton

Josse and Gaston Bernheim-Jeune in their Office

Félix Vallotton

Gossip

Félix Vallotton

Interior

Félix Vallotton

In the Bois de Boulogne

Félix Vallotton

Forest Path

Félix Vallotton

Ancient Evening

Félix Vallotton

Les Bruyeres, Varengeville

Félix Vallotton

Undergrowth

Félix Vallotton

Self-Portrait

Félix Vallotton

Portrait of Mme Haasen

Félix Vallotton

Young Woman with a Yellow Scarf

Félix Vallotton

Evening, Honfleur

Félix Vallotton

The Vagabond, Honfleur

Félix Vallotton

La Villa Beaulieu, Honfleur

Félix Vallotton

Vase and statue

Félix Vallotton

Field of Green Oats

Félix Vallotton

Yellow and White Sunset

Félix Vallotton

Rising Tide

Félix Vallotton

Landscape with Trees or Last Rays

Félix Vallotton

Riverbank with Trees

Félix Vallotton

The Cliff and White Beach, Vasouy,

Félix Vallotton

View of the Kremlin in Moscow

Félix Vallotton

Trinità dei Monti, Rome

Félix Vallotton

Still Life, Red Peppers on a White Laqured Table,

Félix Vallotton

Before the Storm, (Villa Beaulieu Entrance, Honfleur)

Félix Vallotton

Trégastel Bay

Félix Vallotton

Breton Landscape

Félix Vallotton

Verdun

Félix Vallotton

Four-de-Paris

Félix Vallotton

Evening in Ploumanac

Félix Vallotton

Un Grain, Bay of the Seine

Félix Vallotton

Bathers in the Undergrowth

Félix Vallotton

Landscape at Sunset

Félix Vallotton

Nude Blond Woman with Tangerines

Félix Vallotton

Nude in Bed

Félix Vallotton

Portrait of the Artist's Brother with Hat

Félix Vallotton

Seated Black Woman, Front View

Félix Vallotton

Sleep

Félix Vallotton

Solitaire or Nude Playing Cards

Félix Vallotton

The Reader

Félix Vallotton

The Yellow Sheet

Félix Edouard Vallotton (December 28, 1865 – December 29, 1925) was a Swiss painter and printmaker associated with Les Nabis. He was an important figure in the development of the modern woodcut.

Life and work

He was born into a conservative middle-class family in Lausanne, and there he attended Collège Cantonal, graduating with a degree in classical studies in 1882. In that year he moved to Paris to study art under Jules Joseph Lefebvre and Gustave Boulanger at the Académie Julian. He spent many hours in the Louvre, where he greatly admired the works of Holbein, Dürer and Ingres; these artists would remain exemplars for Vallotton throughout his life.[1] Vallotton's earliest paintings, chiefly portraits, are firmly rooted in the academic tradition. In 1885 he painted the Ingresque Portrait of Monsieur Ursenbach as well as his first painted self-portrait (seen at left), which received an honorable mention at the Salon des artistes français in 1886.


Self portrait (20 years old), 1885, oil on canvas

During the following decade Vallotton painted, wrote art criticism and made a number of prints. In 1891 he executed his first woodcut, a portrait of Paul Verlaine. The many woodcuts he produced during the 1890s were recognized as innovative, and established Vallotton as a leader in the revival of true woodcut as an artistic medium.[2] In the western world, the relief print, in the form of commercial wood engraving, had long been utilized mainly as a means to accurately reproduce drawn or painted images and, latterly, photographs. Vallotton's woodcut style was novel in its starkly reductive opposition of large masses of undifferentiated black and areas of unmodulated white. Vallotton emphasized outline and flat patterns, and generally eliminated the gradations and modeling traditionally produced by hatching. He was influenced by post-Impressionism, Symbolism, and especially by the Japanese woodcut: a large exhibition of ukiyo-e prints had been presented at the École des Beaux-Arts in 1890, and Vallotton, like many artists of his era an enthusiast of Japonism, collected these prints.[3]
La raison probante (The Cogent Reason), a woodcut from the series Intimités, 1898

His woodcut subjects included domestic scenes, bathing women, portrait heads, and several images of street crowds and demonstrations—notably, several scenes of police attacking anarchists. He usually depicted types rather than individuals, eschewed the expression of strong emotion, and "fuse[d] a graphic wit with an acerbic if not ironic humor".[4] Vallotton's graphic art reached its highest development in Intimités (Intimacies), a series of ten interiors published in 1898 by the Revue Blanche, which deal with tension between men and women.[5] Vallotton's woodcuts were widely disseminated in periodicals and books in Europe as well as in the United States, and have been suggested as a significant influence on the graphic art of Edvard Munch, Aubrey Beardsley, and Ernst Ludwig Kirchner.[6]

By 1892 he was affiliated with Les Nabis, a group of young artists that included Pierre Bonnard, Ker-Xavier Roussel, Maurice Denis, and Édouard Vuillard, with whom Vallotton was to form a lifelong friendship. During the 1890s, when Vallotton was closely allied with the avant-garde, his paintings reflected the style of his woodcuts, with flat areas of color, hard edges, and simplification of detail. His subjects included genre scenes, portraits and nudes. Examples of his Nabi style are the deliberately awkward Bathers on a Summer Evening (1892–93), now in the Kunsthaus Zürich, and the symbolist Moonlight (1895), in the Musée d'Orsay.

In 1899 Vallotton married Gabrielle Rodrigues-Henriques, a wealthy young widow with three children, and in 1900 he attained French citizenship. Around 1899, his printmaking activity diminished as he concentrated on painting, developing a sober, often bitter realism independently of the artistic mainstream. His Portrait of Gertrude Stein (1907) was painted as an apparent response to Picasso's portrait of the previous year, and in The Autobiography of Alice B. Toklas Stein described the very methodical way in which Vallotton painted it, working from top to bottom as if lowering a curtain across the canvas.[7]
The Laundress, Blue Room, 1900, Dallas Museum of Art

Vallotton's paintings of the post-Nabi period found admirers, and were generally respected for their truthfulness and their technical qualities, but the severity of his style was frequently criticized.[8] Typical is the reaction of the critic who, writing in the March 23, 1910 issue of Neue Zürcher Zeitung, complained that Vallotton "paints like a policeman, like someone whose job it is to catch forms and colors. Everything creaks with an intolerable dryness ... the colors lack all joyfulness."[9] In its uncompromising character his art prefigured the New Objectivity that flourished in Germany during the 1920s, and has a further parallel in the work of Edward Hopper.[10]


Ker-Xavier Roussel, Édouard Vuillard, Romain Coolus, Félix Vallotton, 1899
La plage à Honfleur, 1919

He continued to publish occasional art criticism, in addition to other writings. He wrote eight plays, some of which received performances (in 1904 and 1907), although their reviews appear to have been unfavorable.[11] He also wrote three novels, including the semi-autobiographical La Vie meurtrière (The Murderous Life), begun in 1907 and published posthumously.[12]

Vallotton responded in 1914 to the coming of the First World War by volunteering for the French army, but he was rejected because of his age.[13] In 1915–16 he returned to the medium of woodcut for the first time since 1901 to express his feelings for his adopted country in the series, This is War,[14] his last prints.[15] He subsequently spent three weeks on a tour of the Champagne front in 1917, on a commission from the Ministry of Fine Arts. The sketches he produced became the basis for a group of paintings, The Church of Souain in Silhouette among them, in which he recorded with cool detachment the ruined landscape.[16] In his last years Félix Vallotton concentrated especially on still lifes and on "composite landscapes", landscapes composed in the studio from memory and imagination. Always a prolific artist, by the end of his life he had completed over 1700 paintings and about 200 prints, in addition to hundreds of drawings and several sculptures.[17] He died on the day after his 60th birthday, following cancer surgery in Paris in 1925.

His brother Paul was an art dealer; he founded the Galerie Paul Vallotton in Lausanne in 1922, which continued operation for many years under the control of his descendants.

Notes

St. James 1978, p. 6
St. James 1978, p.5
St. James 1978, pp.7–9
Newman 1991, pp. 43–45
Newman 1991, p. 76
St. James 1978, p. 24
Newman 1991, p. 117
Ducrey 1989, p. 12
quoted in Newman 1991, p. 290
Newman 1991, p. 40
Ducrey 1989, p. 30
Newman 1991, p. 318
Newman 1991, p. 193
Newman 1991, pp. 195, 266
St. James 1978, p. 26
Newman 1991, p. 200

Ducrey & Vallotton 2007, pp. 7–8

References

Brodskaïa, Nathalia (1996). Félix Vallotton: The Nabi from Switzerland. Bournemouth: Parkstone. ISBN 1-85995-202-X
Ducrey, Marina (1989). Félix Vallotton: His Life, His Technique, His Paintings. Lausanne: Edita SA. ISBN 2-88001-248-1
Ducrey, Marina, & Vallotton, Felix (2007). Vallotton. Milan: 5 continents. ISBN 978-88-7439-420-3
Frèches-Thory, Claire, & Perucchi-Petry, Ursula, ed.: Die Nabis: Propheten der Moderne, Kunsthaus Zürich & Grand Palais, Paris & Prestel, Munich 1993 ISBN 3-7913-1969-8 (German), (French)
Newman, Sasha M., Félix Vallotton, Marina Ducrey, and Lesley K. Baier (1991). Félix Vallotton. New Haven: Yale University Art Gallery. ISBN 1-55859-312-8
St. James, Ashley (1978). Vallotton: Graphics. London: Ash & Grant Ltd. ISBN 0-904069-19-2

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