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Charles André van Loo

Paintings

The Marriage Of Sarah And Tobias Print by Charles-Andre van Loo

The Marriage of Sarah and Tobias

Theseus Taming The Bull Of Marathon Print by Charles-Andre van Loo

Theseus Taming the Bull of Marathon

Bacchus And Ariadne Print by Charles-Andre van Loo

Bacchus and Ariadne

Perseus And Andromeda Print by Charles-Andre van Loo

Perseus and Andromeda

The Adoration Of The Magi Print by Charles-Andre van Loo

The Adoration of the Magi

The Victory Of Alexander Over Porus Print by Charles-Andre van Loo

The Victory of Alexander over Porus

Bacchus Print by Charles-Andre van Loo

Bacchus

River God Print by Charles-Andre van Loo

River God

Naiad Print by Charles-Andre van Loo

Naiad

A Nymph At Her Bath Print by Charles-Andre van Loo

A nymph at her bath

The Marriage Contract Print by Charles-Andre van Loo

The Marriage Contract

Jupiter And Antiope Print by Charles-Andre van Loo

Jupiter and Antiope

Portrait Of A Prince Of The House Of France As A Pilgrim Print by Attributed to Charles-Andre van Loo

Portrait of a Prince of the House of France as a Pilgrim

Charles Andre van Loo

The Three Graces

Charles Andre van Loo

Erigone

Charles Andre van Loo

The Good Samaritan

Charles Andre van Loo

Jason and Medea

Charles Andre van Loo

Cupid Exerciseing his Troops

Charles Andre van Loo

The concert of the Sultan

Charles Andre van Loo

Sultana and slave

Charles Andre van Loo

Aeneas Carrying Anchises

Charles Andre van Loo

Aeneas Carrying Anchises

Charles Andre van Loo

Bear Hunt

Charles Andre van Loo

The Grand Turk Giving a Concert to his Mistress

Charles Andre van Loo

Halt During the Hunt

Charles Andre van Loo

Portrait of Marie Leszczynska, Queen of France

Charles Andre van Loo

Noli Me Tangere

Charles Andre van Loo

Self-Portrait

Charles Andre van Loo

Allegory of Painting

Charles Andre van Loo

St. Augustine arguing with donatists

Charles Andre van Loo

Bacchus and Ariadne

Charles Andre van Loo

Miss Clairon in Medea

Charles Andre van Loo

St. Andrew who embraces his cross

Charles Andre van Loo

The Adoration of the Magi

Charles Andre van Loo

Marsyas Flayed by the Order of Apollo

Charles Andre van Loo

Marsyas Flayed by the Order of Apollo

Charles Andre van Loo

The Victory of Alexander over Porus

Charles Andre van Loo

Architecture

Charles Andre van Loo

Cupid Shooting a Bow

Charles Andre van Loo

Bathsheba

Charles Andre van Loo

Mercury and Argus

Charles Andre van Loo

Theseus Taming the Bull of Marathon

Charles Andre van Loo

Education of Cupid

Drawings

Charles Andre van Loo

Head of a bearded old man

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Perseus And Andromeda Print by Charles-Andre van Loo

Perseus and Andromeda

Carle or Charles-André van Loo (15 February 1705 – 15 July 1765) was a French subject painter, son of the painter Louis-Abraham van Loo, a younger brother of Jean-Baptiste van Loo and grandson of Jacob van Loo. He was the most famous member of a successful dynasty of painters of Dutch origin. His oeuvre includes every category: religion, history painting, mythology, portraiture, allegory, and genre scenes.[1]

Life

He was born in Nice, then part of the Duchy of Savoy. Van Loo followed his brother Jean-Baptiste to Turin, and then to Rome in 1712, where he studied under Benedetto Luti and the sculptor Pierre Legros. After leaving Italy in 1723, he worked in Paris, studied at the Académie Royale, where he gained first prize for drawing in 1723, and received the first prize for historical painting in 1727—as did his future rival François Boucher. After again visiting Turin in 1727, he was employed by king Victor Amadeus II of Sardinia, for whom he painted a series of subjects illustrative of Tasso. In 1734 he settled in Paris, and in 1735 became a member of the Académie Royale de Peinture et de Sculpture and rose rapidly in the hierarchy of the academy. Madame de Pompadour and the French court were thaking the artist under their patronage. He was decorated with the Order of Saint Michael and named First Painter to king Louis XV of France in 1762. He was a most successful court painter but his portraits as well as history paintings also enjoyed an enormous success throughout all Europe. He died in Paris on 15 July 1765.[2][3]


Work

By his simplicity of style and correctness of design, the result of his study of the great Italian masters, he did much to purify the modern French school; but the contemporary praise that was lavished upon his productions now appears undue and excessive. His patrons included members of the court, the Gobelins factory, private individuals, and the church. In the ensuing centuries, Van Loo's critical fortune has plummeted, although his ability remains admirable, and the quality and variety of his work command respect. His Marriage of the Virgin is preserved in the Louvre.[4][5]

References

"Charles-André van Loo Encyclopaedia Britannica". global.britannica.com. Retrieved 2015.
"Charles-André van Loo Encyclopaedia Britannica". global.britannica.com. Retrieved 2015.
"LACMA Charles-André Vanloo". collections.lacma.org. Retrieved 2015.
"Charles-André van Loo Encyclopaedia Britannica". global.britannica.com. Retrieved 2015.

"LACMA Charles-André Vanloo". collections.lacma.org. Retrieved 2015.

Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.

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