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Carlo Carlone

A Study for Two Angels on a Balustrade Print by Carlo Innocenzo Carlone

A Study for Two Angels on a Balustrade

The Glorification of Saint Felix and Saint Adauctus Print by Carlo Innocenzo Carlone

The Glorification of Saint Felix and Saint Adauctus

Death of Saint Augustine Print by Carlo Innocenzo Carlone

Death of Saint Augustine

The Apotheosis of a Hero Print by Carlo Innocenzo Carlone

The Apotheosis of a Hero

The Triumph of Reason a bozzetto for a ceiling Print by Carlo Innocenzo Carlone

The Triumph of Reason a bozzetto for a ceiling

The Sacrifice of Iphigenia Print by Carlo Innocenzo Carlone

The Sacrifice of Iphigenia

Allegory of peace and justice Print by Carlo Innocenzo Carlone

Allegory of peace and justice

The Assumption of the Virgin Print by Attributed to Carlo Innocenzo Carlone

The Assumption of the Virgin

Saint Lucy in Glory Print by Carlo Innocenzo Carlone

Saint Lucy in Glory

Carlo Innocenzo Carlone or Carloni (1686–March 17, 1775) was an Italian painter and engraver, active especially in Germany.


Biography

He was a native of Scaria, near Como, in Lombardy, but may have been from the Carloni family of Genoese painters. He was the son of a sculptor, but he preferred painting, and was placed under the care of Giulio Quaglio. He subsequently trained also with Giovanni Battista Colomba.[1] He afterwards studied at Venice and at Rome, with Francesco Trevisani until he was 23 years of age, when he visited Germany, where he has left works in oil and in fresco at Ludwigsburg, Passau, Linz, Breslau, Prague, and Vienna.

He painted large decorative fresco cycles for palaces in Vienna, Prague and Southern Germany. For example, Carlone is known for painting the ceiling images in the Upper Belvedere of the Belvedere palace complex. His The Glorification of Saints Felix and Adauctus (1759–1761) was commissioned for the cupola of the church of San Felice del Benaco on Lake Garda. He died at Como.

As an engraver he has left us the following plates, mostly from his own compositions :

Conception of the Virgin.
The Holy Family, with St. John kissing the Foot of Jesus.
St Charles Borromeo meeting the Plague-stricken.
The Death of a Saint.
Allegorical subject of Opulence, for a ceiling.
Figure with a Crown,Another subject for a ceiling.
Group of Children with a Basket of Flowers.

References

Dictionary of Brescian painters.

Bryan, Michael (1886). Robert Edmund Graves, ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume I: A-K). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized 18 May 2007: George Bell and Sons. pp. 233–234.

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