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Benet Mercadé, Benito Mercadé y Fábregas

Portrait of Teresita Wearing Blue Bows Print by Benet Mercade

Portrait of Teresita Wearing Blue Bows

Benet Mercadé i Fàbrega, in Spanish: Benito Mercadé y Fábregas (1821, La Bisbal d'Empordà – 10 December 1897, Barcelona) was a Catalonian painter of portraits and historical scenes.

Biography

His father was a painter and gilder.[1] In 1838, he moved to Barcelona, where he worked as a shoemaker's assistant while beginning his studies at the Escola de la Llotja, doing some occasional ornamental painting and making daguerrotypes.[1] He later attended the Escuela de Bellas Artes de San Fernando in Madrid, where he studied with Carlos Luis de Ribera.[2]

His first major exhibition came in 1852 and, a year later, he settled in Madrid. In 1858, he participated in the National Exhibition of Fine Arts, presenting two major works, one on Don Quixote and one on Columbus, the latter of which gained an "honorable mention".[3] He would continue to participate in the National Exhibitions until 1876. He obtained the Grand Prize at an exposition in Paris in 1866[2] with the "Traslación de San Francisco de Asís" (The Passing of Saint Francis of Assisi).[2]


The Passing of Saint Francis of Assisi (1866)

From 1863 to 1869, he lived in Rome [2] where he frequented the Antico Caffè Greco, meeting with other painters and writers from Spain such as Dióscoro Puebla, José Casado del Alisal, Eduardo Rosales, Vicente Palmaroli, Marià Fortuny and Alejo Vera. He returned to Barcelona because of his increasingly poor eyesight, and eventually had to stop painting, but still obtained a full professorship at the Escola in 1882.[1]

He was initially influenced by the Nazarene movement, but later switched to Realism,[2] focusing on religious and historic themes. A street in Barcelona is named after him.


References

Brief biography @ Museo del Prado website.
Santiago Alcolea, Pinturas de la Universidad de Barcelona, Edicions Universitat Barcelona, (1980) ISBN 84-85257-21-9 [1]

David Garcia López, Los depósitos del Museo del Prado en el antiguo Museo Provincial de Girona, actual Museo d'Art, Annals de l'Institut d'Estudis Gironins ISSN 0213-6228 #42 (2001)[2]

Further reading

DDAA. La col•lecció Raimon Casellas. Barcelona/Madrid: Publicacions del MNAC/Museo del Prado, 1992. ISBN 84-87317-21-9.
Enrique Arias Anglés, Relaciones artísticas entre España y América, CSIC Press (1990) ISBN 84-00-07065-8 [3]

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