Arkhip Ivanovich Kuindzhi
Paintings
Birch Grove
Sea. Crimea
Red Sunset on the Dnieper
Crimean landscape
The North
Moon spots in the forest, winter
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Red Sunset on the Dnieper
Arkhip Ivanovich Kuindzhi (or Arkhip Kuinji; Russian: Архи́п Ива́нович Куи́нджи; Ukrainian: Архип Іванович Куїнджі; January 27, 1842(?) – July 24, 1910) was a Russian landscape painter. Arkhip Kuindzhi was born in January 1841 in Mariupol (present-day Ukraine), but he spent his youth in the city of Taganrog. He grew up in a poor family, and his father was a Greek shoemaker Ivan Khristoforovich Kuindzhi (sometimes spelt Emendzhi). Arkhip was six years old when he lost his parents, so that he was forced to make his living, working at the church building site, grazing domestic animals, and working at the corn merchant's shop. During the five years, from 1860 to 1865, Arkhip Kuindzhi worked as retoucher in the photo studio of Isakovich in Taganrog. Kuindzhi tried to open his own photographer's studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg.
He studied painting mainly independently and at the St. Petersburg Academy of Arts (from 1868; a full member since 1893). He was co-partner of traveling art exhibitions (Peredvizhniki), a group of Russian realist artists who in protest to academic restrictions formed an artists' cooperative which evolved into the Society for Traveling Art Exhibitions (Peredvizhniki) in 1870. During this early period, Kuinczhy felt Ivan Aivazovsky's influence.
In 1872 the artist left the academy and worked as a freelancer. The painting Na ostrove Valaam (On the Valaam Island) was the first artwork which Pavel Tretyakov acquired for his art gallery. In 1873 Kuindzhi exhibited his painting The Snow which received the bronze medal at the International Art Exhibition in London in 1874. In the middle of the 1870s he created a number of paintings in which the landscape motif was designed for concrete social associations in the spirit of Peredvizhniki (Forgotten village, 1874; Chumatski path, 1875; both – in the Tretyakov Gallery).
In his mature period Kuindzhy aspired to capture the most expressive illuminative aspect of the natural condition. He applied composite receptions (high horizon, etc.), creating panoramic views. Using light effects and intense colors shown in main tones, he depicted the illusion of illumination (Evening in the Ukraine, 1876; Birch Grove, 1879; After a thunderstorm, 1879; all three are in the Tretyakov Gallery; Night on Dnepr, 1880 in the Russian Museum, St.Petersburg). His later works are remarkable for their decorative effects of color building.
Kuindzhi lectured at the St. Petersburg Academy of Arts (Professor since 1892; professor-head of landscape workshop since 1894; but was fired in 1897 for support of students' protests). Among his students were artists such as Arkady Rylov, Nicholas Roerich, Konstantin Bogaevsky, and others. Kuindzhi initiated creation of the Society of Artists (1909; later – the Society was named after A.I. Kuindzhi).
References
(http://artroots.com/ra/bio/kuinji/arkhipkuinjibio.htm)
V.S. Manin Arkhip Ivanovich Kuinji, Leningrad, 1990, ISBN 5-7370-0098-2
External links
Arkhip Ivanovich Kuindzhi (1842-1910)
Kuindzhi - Artist of Light
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