Roger Freeing Angelica. Jean-Auguste-Dominique Ingres
1819
Oil on canvas, 147 x 190 cm
Musée du Louvre, Paris
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See also
Study on the shape of the Angelica
See also
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Roger Freeing Angelica or Ruggiero Freeing Angelica is an 1819 painting by Jean-Auguste-Dominique Ingres, inspired by Orlando Furioso by Ariosto. An oil painting on canvas measuring 147 x 199 cm, it is owned by the Louvre. Ingres subsequently painted several variants of the composition.
Subject
Orlando Furioso, a 16th-century epic poem by Ariosto, is the source of the tale of Roger, a knight whose steed is a hippogriff (a legendary creature half horse and half eagle). While riding near Brittany's coast Roger espies a beautiful woman, Angelica, chained to a rock on the Isle of Tears. She has been abducted and stripped naked by barbarians who have left her there as a human sacrifice to a sea monster. As Roger rides to her aid, a great thrashing in the water occurs—it is the monster approaching Angelica. Roger drives his lance between the monster's eyes and rescues Angelica.[1]
Background
Angelica, 1859, São Paulo Museum of Art
Ingres received the commission for the work in 1817 and completed it in 1819.[2] When it was exhibited at the Paris Salon of 1819 alongside his Grande Odalisque, the work was criticised for the treatment of Angelica's figure, described by the art historian Théophile Silvestre as "Angelica with goitres" and by the painter Henry de Waroquier as "triple-breasted Angelica". Comte de Blacas, the French ambassador to the Vatican, acquired the painting for King Louis XVIII.[2] It was installed above a doorway in the throne room of Versailles from 1820 until 1823 before being relocated to the Musée du Luxembourg.[2] It was Ingres' first painting to enter a public collection.
Ingres executed the work with his usual care, and many preparatory drawings for the composition and the individual figures exist.
He painted several later versions of the composition, none of which are known to have been commissioned.[3] A reduced copy of the painting in a vertical format was painted sometime before 1839, and eventually acquired by Edgar Degas, who purchased it in 1894.[4] It was later acquired by the National Gallery, London. An 1841 replica, in an oval format, is in the Musée Ingres. A painting of 1859, also in an oval format, repeats the figure of Angelica but nearly eliminates Roger, whose presence is indicated only by his shield visible at the right edge.[5] In 1825–30 Ingres painted Perseus and Andromeda (Detroit Institute of Arts), which like Roger Freeing Angelica features a nude woman chained to a rock and a hero slaying a sea monster.[6]
Notes
Condon et al. 1983, p. 238.
Arikha 1986, p. 51.
Condon et al. 1983, p. 94.
Dumas 1996, pp. 25, 70.
Condon et al. 1983, p. 98.
Mongan and Naef 1967, p. 51.
References
Arikha, Avigdor (1986). J.A.D. Ingres: Fifty Life Drawings from the Musée Ingres at Montauban. Houston: The Museum of Fine Arts. ISBN 0-89090-036-1
Condon, Patricia; Cohn, Marjorie B.; Mongan, Agnes (1983). In Pursuit of Perfection: The Art of J.-A.-D. Ingres. Louisville: The J. B. Speed Art Museum. ISBN 0-9612276-0-5
Dumas, Ann (1996) Degas as a Collector. London: Apollo Magazine. ISBN 1857091310
Mongan, Agnes; Naef, Dr. Hans (1967). Ingres Centennial Exhibition 1867-1967: Drawings, Watercolors, and Oil Sketches from American Collections. Greenwich, Conn.: Distributed by New York Graphic Society. OCLC 170576
Radius, Emilio (1968). L'opera completa di Ingres. Milan: Rizzoli. OCLC 58818848
Further reading
French painting 1774-1830: the Age of Revolution. New York; Detroit: The Metropolitan Museum of Art; The Detroit Institute of Arts. 1975. (see index)
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