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Vincenzo Catena

Paintings

A Warrior adoring the Infant Christ and the Virgin Print by Vincenzo Catena

A Warrior adoring the Infant Christ and the Virgin

A Sacra Conversazione. The Madonna and Child with Saints Mark and Jerome Print by Vincenzo Catena

A Sacra Conversazione. The Madonna and Child with Saints Mark and Jerome

Portrait of the Doge Andrea Gritti Print by Vincenzo Catena

Portrait of the Doge Andrea Gritti

 Christ hands over the keys to Saint Peter Print by Vincenzo Catena

Christ hands over the keys to Saint Peter

Christ Carrying the Cross Print by Vincenzo Catena

Christ Carrying the Cross

Portrait of a Young Man Print by Vincenzo Catena

Portrait of a Young Man

Virgin and Child with Saints and a Donor Print by Vincenzo Catena

Virgin and Child with Saints and a Donor

Virgin and Child with Saints John the Baptist and Joseph Print by Vincenzo Catena

Virgin and Child with Saints John the Baptist and Joseph

Saint Jerome in his Study Print by Vincenzo Catena

Saint Jerome in his Study

Portrait of a Man with a Book Print by Vincenzo Catena

Portrait of a Man with a Book

Vincenzo Catena

The Madonna and Child with the Infant Saint John

Vincenzo Catena (c. 1470 – 1531) was an Italian painter of the Renaissance Venetian school.
He is also known as Vincenzo de Biagio.

Life

Nothing is known of the date and and place of Catena's birth. The earliest known record of him is in an inscription on the back of Giorgione's Laura, in which he is described as the painter's Cholego. Catena's early style is however, much closer to that of Giovanni Bellini than the innovative work of Giorgione, and it was not until a few years after Giorgione's death in 1610 that his influence began to show itself in Catena's output.[1] There are about a dozen signed paintings by Catena in existence, although only one of these, the Martyrdom of St Christina (1520) in the church of Santa Maria Mater Domini in Venice, can be dated with any certainty, from an inscription on its marble surround.[2]

Catena's wills indicate that he was a man of some wealth, and that he had friends in Venetian humanist circles.[1]


References

Robertson, Giles (1983). "Vinceno Catena". The Genius of Venice 1500–1600. London: Royal Academy of Arts. p. 167.
Waldeck, Anik (2009). "A New Addition to the Oeuvre of Vincenzo Catena" (PDF). St Andrews Journal of Art History and Museum Studies. 13: 19 23.

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