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Simone Cantarini

Paintings

The Holy Family Print by Simone Cantarini

The Holy Family

Illustrations

Diana and Actaeon Print by Simone Cantarini

Diana and Actaeon

Rest on the Flight into Egypt Print by Simone Cantarini

Rest on the Flight into Egypt

Simone Cantarini

Hagar and the Angel

Simone Cantarini

Hagar and the Angel

Simone Cantarini

Madonna in Glory with Saints Augustine and Monica, known as Madonna della Cintura

Simone Cantarini

The Virgin and Child appears to St. Thomas of Villanova

Simone Cantarini

St. Peter heals the cripple

Simone Cantarini

St. Andrew the Apostle

Simone Cantarini

Portrait of a seated gentleman and a lady holding a rosary

Simone Cantarini

The so-called great St. Anthony of Padua

Studio of Simone Cantarini

The Madonna and Child Print by Studio of Simone Cantarini

The Madonna and Child

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The Holy Family Print by Simone Cantarini

The Holy Family

Simone Cantarini (12 April 1612 – 15 October 1648), also known as Simone da Pesaro, was an Italian painter and etcher of the Bolognese School of painting.

Cantarini was born in Oropezza near Pesaro, then part of the Papal States.

Initially he was a pupil of the Venetian Claudio Ridolfi and Pesarese Giovanni Giacomo Pandolfi, and then, for about 4 years (1635–1639), of Guido Reni. He soon fought with his mentor, and did not return to Bologna till after Reni had died (1642). His pictures are generally derivative. Some of his works have been mistaken for examples of Reni. Among his principal paintings are St. Anthony, at Cagli; the Magdalene, at Pesaro; the Transfiguration in the Brera Gallery, Milan; the Portrait of Guido, in the Bologna gallery; and St. Romuald, in the Casa Paolucci. His most celebrated etching is Jupiter, Neptune and Pluto, honoring the heraldic arms of Cardinal Borghese.

It is said that Cantarini's death, which took place at Verona in 1648, was occasioned by the humiliation when he was fired by the duke of Mantua when he was unable to paint a portrait.[1] Others relate that he was poisoned by a Mantuan painter whom he had injured .

Among his pupils were Lorenzo Pasinelli, Giulio Cesare Milani, Giovanni Peruzzini, and Girolamo Rossi.[2] He also trained Giovanni Maria Luffoli, Giovanni Venanzi, and Flaminio Torre[3]


References

Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
Wittkower, Rudolf (1993). "Art and Architecture Italy, 1600-1750". Pelican History of Art. 1980. Penguin Books Ltd. pp. 342–343.
Marchese Antonio Bolognini Amorini (1843). "(Parte Quinta)". Vite de Pittori ed Artifici Bolognesi. Tipografia Governativa alla Volpe, Bologna. pp. 272–284.

A.B. Amorini p 283-284.
*Hobbes, James R. (1849). Picture collector's manual adapted to the professional man, and the amateur. T&W Boone, 29 Bond Street; Digitized by Googlebooks. p. 36.
*Lanzi, Luigi (1847). Thomas Roscoe (translator), ed. History of Painting in Italy;From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century III. Henry G. Bohn, Covent Garden, London; Original from Oxford University Digitized Jan 31, 2007. pp. 106–107.

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