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John Macallan Swan

Study Of A Jaguar Print by John Macallan Swan

Study Of A Jaguar

Leopard Drinking From A Stream In The Jungle Print by John Macallan Swan

Leopard Drinking From A Stream In The Jungle

 Painting - A Lioness With Her Cubs Near A Dead Black Man Called Nemesis by John Macallan Swan

A Lioness With Her Cubs Near A Dead Black Man Called Nemesis

 Painting - Refugees by John Macallan Swan

Refugees

 Painting - The Piper by John Macallan Swan

The Piper

 Painting - In Ambush by John Macallan Swan

In Ambush

 Painting - The Sirens by John Macallan Swan

The Sirens

Drawings

 Drawing - Studies Of A Recumbent Polar Bear by John Macallan Swan

Studies Of A Recumbent Polar Bear

 Drawing - Head Of A Polar Bear by John Macallan Swan

Head Of A Polar Bear

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Two Leopards

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A Shepherdess and her Flock

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Ceylon Leopards

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Fata Morgana, Nude Study

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Lion Study

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Orpheus

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Puma

Sculptures

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A Lioness drinking

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Jaguar

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Puma and Macaw

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Wounded Leopard

John Macallan Swan (December 9, 1846 - February 14, 1910) was an English painter and sculptor.

Biography
The Prodigal Son, 1888

Swan was born in Brentford, Middlesex on 9 December 1846. He received his art training first in England at the Worcester and Lambeth schools of art and the Royal Academy schools, and subsequently in Paris, in the studios of Jean-Léon Gérôme and Emmanuel Frémiet. He began to exhibit at the Academy in 1878. His picture The Prodigal Son, bought for the Chantrey collection in 1889 (and now in the Tate Britain), established his reputation as an artist.

He was elected associate in the Royal Academy in 1894 and academician in 1905. He was appointed a member of the Dutch Water-Colour Society in 1885; and associate of the Royal Society of Painters in Water Colours in 1896 and full member in 1899. He was awarded first class gold medals for painting and sculpture in the Paris Exhibition, 1900.


Work

A master of the oil, water-colour and pastel mediums, an accomplished painter and a skilful draughtsman, he ranks also as a sculptor of distinguished ability, having worked in nearly every material.  He has treated the human figure with notable power, but it is by his representations of the larger wild animals, mainly the felidae, that he chiefly established his reputation; in this branch of practice he has scarcely a rival.
Painting

His subjects in oil include animals, figures, and landscapes, and are distinguished by massive, simple treatment, and a strongly imaginative element. Noted examples include:

“Ocelot and Fish”
“Tigers”
“Tigers Drinking”
“Ceylon Leopards”
“Lioness Defending Her Cubs”
“Polar Bear Swimming”

Sculpture

The modeling in his sculptured works is broad, flexible, and naturalistic. Here he has been compared with Antoine-Louis Barye. Noted examples include:

“The Jaguar”
“Puma and Macaw”
“Wounded Leopard”
“Leopard Running”
References

"Swan, John Macallan". New International Encyclopedia. 1905.

Attribution

This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Swan, John Macallan". Encyclopædia Britannica (11th ed.). Cambridge University Press. This work in turn cites:
A. L. Baldry, "The Work of J. M. Swan" in The Studio, vol. xxii.
Drawings of John M. Swan, R.A. (George Newnes, Ltd.)

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