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Jean-Baptiste Perronneau

Paintings, Drawings

A Girl with a Kitten Print by Jean-Baptiste Perronneau

A Girl with a Kitten

Portrait of Lady probably Madame Blondel d'Azincourt dressed in a Blue Polka Dot Cape and Fur Muff Print by Jean-Baptiste Perronneau

Portrait of Lady probably Madame Blondel d'Azincourt dressed in a Blue Polka Dot Cape and Fur Muff

Charles-Francois Pinceloup de la Grange Print by Jean-Baptiste Perronneau

Charles-Francois Pinceloup de la Grange

Portrait of a young woman wearing a kerchief of striped gauze Print by Jean-Baptiste Perronneau

Portrait of a young woman wearing a kerchief of striped gauze

Portrait of a Man Print by Jean-Baptiste Perronneau

Portrait of a Man

A Young Lady in a Yellow Gown with Blue Ribbons Print by Jean-Baptiste Perronneau

A Young Lady in a Yellow Gown with Blue Ribbons

Portrait of Maponde Print by Jean-Baptiste Perronneau

Portrait of Maponde

Portrait of Theophile Van Robais Print by Jean-Baptiste Perronneau

Portrait of Theophile Van Robais

Jean-Baptiste Perronneau

Jacques Cazotte

Jean-Baptiste Perronneau

Portrait of a Woman

Jean-Baptiste Perronneau

Portrait of Madame de Sorquainville

Jean-Baptiste Perronneau

Portrait of Sara Hinloopen

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A Girl with a Kitten Print by Jean-Baptiste Perronneau

A Girl with a Kitten

Jean-Baptiste Perronneau (c. 1715 – 19 November 1783) was a French painter who specialized in portraits executed in pastels. Perronneau was born in Paris. He began his career as an engraver, apparently studying with Laurent Cars, whose portrait he drew, and working for the entrepreneurial printseller Gabriel Huquier, rue Saint-Jacques, Paris, making his first portraits in oils, and especially in pastels, in the 1740s. His career was much in the shadow of the master of the French pastel portrait, Maurice Quentin de la Tour. In the Salon of 1750, Perronneau exhibited his pastel portrait of Maurice Quentin de la Tour, but found to his dismay that La Tour was exhibiting his own self-portrait, perhaps a malicious confrontation to demonstrate his superiority in the technique.

He made his Salon debut with a pastel portrait in 1746 and received full membership in the Académie Royale de Peinture et de Sculpture in 1753, with portraits of fellow artist Jean-Baptiste Oudry and the sculptor Lambert-Sigisbert Adam, both now at the Louvre Museum. After 1779 he no longer exhibited in the Paris Salons, but the clientele in his portraits reveal how widely he travelled in the provinces of France, with a group of sitters connected with Orléans, but also in Toulouse, Bordeaux, Lyon. Farther afield he may have been in Turin and Rome, and in Spain, Hamburg, Poland, Russia and England.

He died in Amsterdam virtually unknown, according to his biographers.


References

Getty Museum: Jean-Baptiste Perronneau
National Gallery of Art, Washington: Jean-Baptiste Perronneau
National Gallery, London: Jean-Baptiste Perronneau The National Gallery has Perronneau's masterful portrait of Jacques Cazotte
Musée Cognaq-Jay, Paris: Jean-Baptiste Perronneau: Portrait of the connoisseur Charles Lenormant du Coudray, shown at the Salon of 1769.
Attribution of a portrait of Crozat to Perronneau
Jeffares, Dictionary of pastellists before 1800, online edition

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