Francis Wheatley
A Gentleman and his Dog in a Landscape
The Comedy of Errors', Act I, Scene 1, the Rescue of Aemilia from the Shipwreck
An Old Fisherwoman with Two Women Digging for Bait
Country Scene: Figures by a Cottage Door and Cattle in a Stream
Fisherfolk with Baskets and Nets
Henry Addington, Later 1st Viscount Sidmouth
Portrait of a Man, called George Basil Woodd
Portrait of a Man, Possibly Mr. Barclay
Portrait of a Sportsman with His Son
Soldier with Country Women Selling Ribbons, near a Military Camp
Traveling Potter outside a Cottage
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Portrait of Captain Arthur Phillip RN
Portrait of Henry Grattan; MP for Dublin (1806–1820)
A Fair on the Outskirts of Dublin
The Dublin Volunteers on College Green
Francis Wheatley RA (London 1747 – 28 June 1801) was an English portrait and landscape painter.
Life and work
Soldier with Country Women Selling Ribbons, near a Military Camp
Wheatley was born at Wild Court, Covent Garden, London, the son of a master tailor. He studied at William Shipley's drawing school and the Royal Academy, and won several prizes from the Society of Arts. He assisted in the decoration of Vauxhall, and aided John Hamilton Mortimer in painting a ceiling for Lord Melbourne at Brocket Hall in Hertfordshire.[1]
In his youth, his life was irregular and dissipated. He first exhibited at the Royal Academy in 1778, built up a good practice and was praised by the critics. But he fell in with extravagant company and was forced to flee his creditors: so he eloped to Ireland with Elizabeth Gresse, wife of a fellow artist John Alexander Gresse (1741–1794).[1]
In the summer of 1779 he was in Dublin with Elizabeth whom he passed off as his wife, and established himself there as a portrait-painter, executing, among other works, the best-known interior of the Irish House of Commons. He also painted the review of the Dublin regiments of the Irish Volunteers in College Green in November 1779, the basis for a best-selling print bought by numerous Irish Patriot supporters. He was careful to include the grandees of Dublin and also exotic visitors such as Princess Dashkov.[1]
The circumstances of his private life were revealed, and he returned to London. He produced small landscapes, portraits, or street scenes, and began to work in imitation of the French painter Jean-Baptiste Greuze. His scene from the Gordon Riots of 1780 was engraved by James Heath; this was noted as one of his best, but was lost to a fire. He painted several subjects for Boydell's Shakespeare Gallery, designed illustrations to Bell's edition of the poets, and practised to some small extent as an etcher and mezzotint-engraver. It is, however, as a painter, in both oil and water-color, of landscapes and rustic subjects that Wheatley is best remembered. He was elected an associate of the Royal Academy in 1790, and an academician in the following year.[1]
He married in 1787 one of his most popular models, the young Clara Maria Leigh (1768–1838), who was also an artist. They had a daughter, also Clara Maria, born in 1788.[1] After Wheatley died, his widow married the Irish actor Alexander Pope, and as Mrs Pope she was known as a painter of flowers and portraits.[2]
References
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Wheatley, Francis". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Mary Webster, ‘Pope , Clara Maria (bap. 1767, d. 1838)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 21 March 2015
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