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Ercole de' Roberti

Paintings

The Institution of the Eucharist Print by Ercole de Roberti

The Institution of the Eucharist

The Argonauts Leaving Colchis Print by Ercole de Roberti

The Argonauts Leaving Colchis

The Adoration of the Shepherds Print by Ercole de Roberti

The Adoration of the Shepherds

The Dead Christ Print by Ercole de Roberti

The Dead Christ

The Israelites gathering Manna Print by Ercole de Roberti

The Israelites gathering Manna

Ercole de' Roberti

The Adoration of the ShepherdsThe Dead Christ

Ercole de' Roberti

The Institution of the Eucharist

Ercole de' Roberti

Bentivoglio diptych: Giovanni II Bentivoglio

Ercole de' Roberti

Bentivoglio diptych: Ginevra Bentivoglio

Ercole de' Roberti

The concert

Ercole de' Roberti

Miracles of St Vincent Ferrer

Ercole de' Roberti

Miracles of St Vincent Ferrer, Detail

Ercole de' Roberti

Miracles of St Vincent Ferrer, Detail

Ercole de' Roberti

Portuense-Altar

Ercole de' Roberti

Prayer on the Mount of Olives and Mocking of Christ

Ercole de' Roberti

Way of the Cross of Christ on Calvary

Ercole de' Roberti

Pietà

Drawings

Ercole de' Roberti

Attendant figures of a Crucifixion

Ercole de' Roberti

Pietà

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The Israelites gathering Manna Print by Ercole de Roberti

The Israelites gathering Manna

Ercole de' Roberti (c. 1451 – 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori. The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari:

Ercole had an extraordinary love of wine, and his frequent drunkenness did much to shorten his life, which he had enjoyed without any accident up to the age of forty, when he was smitten one day by apoplexy, which made an end of him in a short time.

Paintings by Ercole are rare. His life was short and many of his works have been destroyed.

Works

By 1473, when he was 17, Ercole had left Ferrara and was working in Bologna in the studio of Francesco del Cossa. According to Vasari, Ercole also apprenticed under Lorenzo Costa in Bologna, but this seems unlikely as he was Lorenzo's senior by several years.[1] He is known to have collaborated in the frescoes of Palazzo Schifanoia.

Ercole's first mature works are his contributions to the Griffoni Chapel for the San Petronio Basilica in Bologna: a predella depicting the Miracles of St Vincent Ferrer (c. 1473) (now in the Pinacoteca of the Vatican),[2] and lateral pilasters for the altarpiece commissioned from del Cossa.

In 1480, Ercole created a large altarpiece with a Madonna and Child Enthroned with Saints for Santa Maria in Porto in Ravenna, which is now in the Pinacoteca di Brera, Milan. Portraits of Giovanni II Bentivoglio and Ginevra Bentivoglio attributed to Ercole de' Roberti (c. 1480) are in the National Gallery of Art, Washington, D.C.

Ercole succeeded Cosmè Tura as court painter to the Este family in Ferrara around 1486. His role apparently went far beyond making art: he accompanied Alfonso d'Este on a papal visit to Rome, served as wardrobe manager for Isabella d'Este's wedding in Mantua, and may even have made salamis.[3]

A painting of Portia and Brutus (c. 1486–90), believed to be painted for Eleonora of Aragon, duchess of Ferrara, is in the Kimbell Art Museum, Fort Worth, Texas.[4] Ercole's painting of Saint Jerome in the Wilderness from this period is in the collection of the J. Paul Getty Museum, Los Angeles.


References

Vasari, Vite, profile of Ercole
The miracles of St Vincent Ferrer at the Vatican
Biographical Information on Ercole de' Roberti, J. Paul Getty Museum, Los Angeles.
Kimball Art Museum, Fort Worth, Texas.

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