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Edward Henry Potthast

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 Painting - At The Beach by Edward Henry Potthast

At The Beach

 Painting - At The Beach 2 by Edward Henry Potthast

At The Beach 2

Edward Henry Potthast

Boating in Central Park

Edward Henry Potthast

Summer day, Brighton Beach

Edward Henry Potthast

Blowing Bubbles

Edward Henry Potthast

A Summer Vacation

Edward Henry Potthast

A Summer's Night

Edward Henry Potthast

Along the Mystic River

Edward Henry Potthast

At the Beach

Edward Henry Potthast

At the Seashore

Edward Henry Potthast

Bathers by the Shore

Edward Henry Potthast

Beach Scene

Edward Henry Potthast

Brighton Beach

Edward Henry Potthast

By the Shore

Edward Henry Potthast

Children at Play on the Beach

Edward Henry Potthast

Hourtide

Edward Henry Potthast

In Cloud Regions

Edward Henry Potthast

In the Garden

Edward Henry Potthast

In the Surf

Edward Henry Potthast

In the Surf

Edward Henry Potthast

Landscape by the Shore aka The Picnic

Edward Henry Potthast

Little Sea Bather

Edward Henry Potthast

Looking out to Sea

Edward Henry Potthast

Monhegan

Edward Henry Potthast

Ring around the Rosy

Edward Henry Potthast

Sailboats off Far Rockaway

Edward Henry Potthast

Souvenir of Canada

Edward Henry Potthast

Struggle for the Catch

Edward Henry Potthast

The Swan

Edward Henry Potthast

Beach Scene

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Potthast Art - Summer day Brighton Beach by Edward Henry Potthast

Summer day Brighton...

Edward Henry Potthast (June 10, 1857 – March 9, 1927) was an American Impressionist painter. He is known for his paintings of people at leisure in Central Park, and on the beaches of New York and New England.

Life and work
A July Day, oil, 1914.
Happy Days, oil on panel, c. 1910–1920

Edward Henry Potthast was born on July 10, 1847 in Cincinnati, Ohio to Henry Ignatz Potthast and Bernadine Scheiffers.[2] From June 10, 1879 to March 9, 1881, Potthast studied under Thomas Satterwhite Noble, a retired Confederate Army captain who had studied with Thomas Couture in Paris.[3] Potthast later studied at the Royal Academy in Munich with the American-born instructor Carl Marr. After returning to Cincinnati in 1885 he resumed his studies with Noble. In 1886 he departed for Paris, where he studied with Fernand Cormon. In 1895 he relocated to New York City and remained there until his death in 1927.

Until the age of thirty-nine Potthast earned a living as a lithographer. The purchase of one of his paintings by the Cincinnati Museum of Art may have encouraged him to abandon lithography for a career as a fine artist.[4] His paintings retained the subdued colors and strong contrasts of the Munich school until he adopted the Impressionist palette late in his career,

After his arrival in New York Potthast worked as a magazine illustrator, and exhibited regularly at the National Academy of Design, the Society of American Artists and the Salmagundi Club, winning numerous prizes. By 1908 he was installed in a studio in the Gainsborough Building. Thereafter he painted sun-saturated images of Central Park, New England landscapes, and the Long Island beach scenes for which he is best remembered.[5] His work is included in many major museums in the United States.[6]


Notes

Orlando Museum
Jacobowitz, Arlene, Edward Henry Potthast: 1857-1927, NYC: The Chapellier Galleries, 1968, 4.
Noble was best known for his portraits and genre paintings of the Old South. Pierce, Patricia Jobe, Marco Apollo, and Prescott S. Bush, Edward Henry Potthast: More Than One Man, Hingham: Pierce Galleries, Inc., 6.
Orlando Museum
Orlando Museum

Edward Henry Potthast Museum Collections

References

Edward Henry Potthast, American Impressionist: Selections from the Gross Family Collection Retrieved 3-25-10

Further reading

Jacobowitz, Arlene, Edward Henry Potthast: 1857-1927, New York City: The Chapellier Galleries, 1968
Pierce, Patricia Jobe, Marco Apollo, and Prescott S. Bush. Edward Henry Potthast: More Than One Man, Hingham: Pierce Galleries, Inc., 2006, 158 pages
Stula, Nancy with Nancy Noble. American Artists Abroad and their Inspiration, New London: Lyman Allyn Art Museum, 2004, 64 pages [1]

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