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Albert Bierstadt

Paintings

Beached Ship

Buffalo Head

Buffalo Trail. The Impending Storm

Cloud Study. Moonlight

Entrance To The Golden Gate

The Falls Of Saint Anthony

Fishing Boats At Capri

In the Foothills

Jungfrau

Mont Blanc

Mount Brewer from King's River Canyon, California

Rocky Mountain Goats

Storm Clouds

Study of a moose

Study Of Rocky Mountains

Study of Wild Horses

The Blue Grotto. Capri

The coming storm

Trapped

Two Horses

White Horse And Sunset

A Wild Stallion

Wreck Of The Ancon In Loring Bay. Alaska

Landscape in the Bahamas

Green Butterfly

Yellow Butterfly

Rocky Mountain. Big Horn Sheep

Bow River Falls. Canadian Rockies

Northwest Coast. Loring Bay. Alaska

The Wild West

Old Faithful

Trapper And Indian Guide On Horseback

Rockland County. California

Pink Butterfly

Home of the Rainbow, Horseshoe Falls, Niagara

Sunrise on the Matterhorn

Among the Sierra Nevada Mountains, California

Lake Tahoe

A golden summer day near Oakland

A Storm in the Rocky Mountains, Mt. Rosalie

Alcatraz, San Francisco Bay

Autumn Landscape, New England

Bridal Veil Falls, Yosemite Valley, California

California Spring

Covered wagons

Cypress Point, Monterey

Deer

Deer in Mountain Home

Estes Park, Colorado, Whyte's Lake

Evening on the Prairie

Forested hills

Geysers in Yellowstone

Giant Redwood Trees of California

Glen Ellis Falls

Hunter in the White Mountains Near Glen House (detail)

In the High Mountains

Indian Canoe

Indian Encampment

Indian Encampment - Evening

Indian Hunters in Canoe

Indians spear fishing

Island Lake, Wind River Range, Wyoming

Lake in the Sierra Nevada

Lake Lucerne

Lake Scene

Lake Tahoe in winter, the Sierra Nevada, California

Looking from the Shade on Clay Hill

Mariposa Indian Encampment, Yosemite Valley, California

Minnehaha Falls

Mount Corcoran

Mountain landscape

Mountains

On the Hudson

On the Hudson River Near Irvington

Oregon Trail

Outlet at Lake Tahoe

Peaks in the Rockies

Puget Sound on the Pacific Coast

Rocky Mountain Landscape

Rocky Mountain Waterfall

Scene in Yosemite Valley

Seal Rock, California

Sioux Village near Fort Laramie

Sketch for „The Last of the Buffalo“

Snow in the Rockies

Summer Snow on the Peaks or Snow Capped Mountains

Sundown at Yosemite

Sundown on the Lake

Sunrise on Mount Tacoma

Surveyor's Wagon in the Rockies

The Grizzly Giant Sequoia, Mariposa Grove, California

The Last of the Buffalo

The Lookout

The Merced River in Yosemite

The Rocky Mountains, Lander's Peak

Untitled (mountains and lake)

Valley of the Yosemite

View of Chimney Rock, Ohalilah Sioux Village in the foreground

View of Glacier Park or Sunset on Peak

Wind River Country

Winter in Yosemite

Yellowstone Falls

The Domes of the Yosemite

Sunset in the Yosemite Valley

The Rocky Mountains, Lander's Peak

Farallon Island

Butterfly

Lake Tahoe

Sunset over the River

The Landing of Columbus

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Famous Artists - A Storm in the Rocky Mountains Mt. Rosalie by Albert Bierstadt

A Storm in the...

Albert Bierstadt

Albert Bierstadt (January 7, 1830 – February 18, 1902) was an American painter best known for his lavish, sweeping landscapes of the American West. To paint the scenes, Bierstadt joined several journeys of the Westward Expansion. Though not the first artist to record these sites, Bierstadt was the foremost painter of these scenes for the remainder of the 19th century.

ALBERT BIERSTADT

Born in Germany, Bierstadt was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School

Biography

Bierstadt was born in Solingen, Germany. The following year, in 1831, his family moved to New Bedford, Massachusetts. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth. In 1851, he began to paint in oils.[2]
Map of Bierstadt's journey in 1859 and 1863.

He returned to Germany in 1853 and studied painting for several years in Düsseldorf with members of its informal school of painting. After returning to New Bedford in 1857, he taught drawing and painting briefly, before devoting himself full-time to painting.

In 1858 he exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy.[3] At this time Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River valley. A group of artists known as the Hudson River School portrayed its majestic landscapes and craggy areas, as well as the light affected by the changing waters. .

In 1859, Bierstadt traveled westward in the company of Frederick W. Lander, a land surveyor for the U.S. government, to see those landscapes. He returned to a studio he had taken at the Tenth Street Studio Building in New York with sketches that would result in numerous finished paintings. In 1863 he traveled west again, this time in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. Throughout the 1860s, Bierstadt used studies from this trip as the source for large-scale paintings for exhibition. He continued to visit the American West throughout his career.

During the American Civil War, Bierstadt paid for a substitute to serve in his place when he was drafted in 1863. He completed one Civil War painting Guerrilla Warfare, Civil War in 1862, based on his brief experiences with soldiers stationed at Camp Cameron in 1861.[4] Bierstadt's painting was based on a stereo photograph taken by his brother Edward Bierstadt, who operated a photography studio at Langley's Tavern in Virginia. Bierstadt's painting received a positive review when it was exhibited at the Brooklyn Art Association at the Brooklyn Academy of Music in December 1861. Curator Eleanor Jones Harvey observes that Bierstadt's painting, created from photographs, "is quintessentially that of a voyeur, privy to the stories and unblemished by the violence and brutality of first-hand combat experience."[4]

In 1860, he was elected a member of the National Academy; he received medals in Austria, Bavaria, Belgium, and Germany.[5] In 1867 he traveled to London, where he exhibited two landscape paintings in a private reception with Queen Victoria.[6] He traveled through Europe for two years, cultivating social and business contacts to sustain the market for his work overseas.[6]

A trip to the Yellowstone region in 1871 yielded numerous drawings of the area's geysers and picturesque topography. These works were instrumental in convincing the United States Congress to pass the Yellowstone Park Bill in 1872, thus establishing the first national park in the world. Soon thereafter Congress purchased a large painting from Bierstadt for $10,000. As a result of the publicity generated by his Yellowstone paintings, Bierstadt's presence was requested by every explorer considering a westward expedition, and he was commissioned by the Atchison, Topeka, and Santa Fe Railroad to visit the Grand Canyon for further subject matter.[7]
Rosalie Bierstadt, unknown date.

Bierstadt's technical proficiency, earned through his study of European landscape, was crucial to his success as a painter of the American West. It accounted for his popularity in disseminating views of the Rockies to those who had not seen them.[6] The immense canvases he produced after his trips with Lander and Ludlow established him as the preeminent painter of the western American landscape.[6] Financial recognition confirmed his status: The Rocky Mountains, Lander's Peak, completed in 1863, was purchased for $25,000 in 1865.[8]

Despite his popular success, Bierstadt was criticized by some contemporaries for the romanticism evident in his choices of subject[9] and his use of light was felt to be excessive. His exhibition pieces were brilliantly crafted images that glorified the American West as a land of promise.[10] Bierstadt's choice of grandiloquent subjects was matched by his entrepreneurial flair. His exhibitions of individual works were accompanied by promotion, ticket sales, and, in the words of one critic, a "vast machinery of advertisement and puffery."[11]

His wife was diagnosed with consumption in 1876, and from then until her death in 1893, Bierstadt spent time with her in the warmer climate of Nassau in the Bahamas. He also continued to travel to the West and Canada. In later life, Bierstadt's work fell increasingly out of critical favor. It was attacked for its theatrical tone.[6]

In 1882 Bierstadt's studio at Irvington, New York, was destroyed by fire, resulting in the loss of many of his paintings.[2] By the time of his death on February 18, 1902,[12] the taste for epic landscape painting had long since subsided. Bierstadt was then largely forgotten. He was buried at the Rural Cemetery in New Bedford, Massachusetts.

Interest in his work was renewed in the 1960s, with the exhibition of his small oil studies.[6] The subsequent reassessment of Bierstadt's work has placed it in a favorable context:

The temptation (to criticize him) should be steadfastly resisted. Bierstadt's theatrical art, fervent sociability, international outlook, and unquenchable personal energy reflected the epic expansion in every facet of western civilization during the second half of the nineteenth century.[13]

Bierstadt was a prolific artist, having completed over 500 paintings during his lifetime.[14] Many of these are held by museums across the United States.
Existing work
Main article: List of works by Albert Bierstadt

1855 - The Old Mill
1855 - The Portico of Octavia
1855 - Westphalia
1859 - The Wolf River, Kansas,[15] c. 1859, oil on canvas, Detroit Institute of Arts, Detroit, MI
1861 - Echo Lake, Franconia Mountains, NH,[16] Smith College Museum of Art,[17] Smith College, Northampton, MA
1863 - The Rocky Mountains, Lander's Peak, oil on canvas, Metropolitan Museum of Art, New York City, NY
1864 - Cho-looke, the Yosemite Fall, oil on canvas, Timken Museum of Art, San Diego, CA[18]
1864 - Valley of the Yosemite,[19] oil on paper, Museum of Fine Arts, Boston, MA
1866 - On the Hudson River Near Irvington, 1866-70, oil on paper, Berkshire Museum, Pittsfield, MA
1866 - A Storm in the Rocky Mountains, Mt. Rosalie, oil on canvas, Brooklyn Museum, New York City, New York
1868 - Connecticut River Valley, Claremont, New Hampshire, 1868, oil on canvas, Berkshire Museum, Pittsfield, MA
1868 - In the Sierras,[20] Fogg Museum, Harvard University, Cambridge, MA
1868 - Among the Sierra Nevada, California,[21] Smithsonian American Art Museum, Washington, D.C.
1869 - Glen Ellis Falls, oil on canvas, Zimmerli Art Museum, New Brunswick, NJ
1871 - Domes of Yosemite,[22] c. 1871, St. Johnsbury Athenaeum, St. Johnsbury, VT
1874 - Giant Redwood Trees of California, c. 1874, oil on canvas, Berkshire Museum, Pittsfield, MA
1876 - Mount Corcoran,[23] c. 1876–77, oil on canvas, Corcoran Gallery of Art, Washington, D.C.
1888 - The Last of the Buffalo,[24] oil on canvas, Corcoran Gallery of Art, Washington, D.C.
1889 - Alaskan Coast Range,[25] c. 1889, Smithsonian American Art Museum, Washington, D.C.
1891 - The Last of the Buffalo,[26] c. 1891, vintage photogravure, Valley Fine Art Gallery, Aspen, Colorado
1895 - The Morteratsch Glacier Upper Engadine Valley - Pontresina


Legacy and honors
Bierstadt Lake, Rocky Mountain National Park

Because of Bierstadt's interest in mountain landscapes, Mount Bierstadt and Bierstadt Lake in Colorado are named in his honor. Bierstadt was probably the first European to visit the summit of Mount Evans in 1863, 1.5 miles from Mount Bierstadt.[27] Bierstadt named it Mount Rosa, a reference to both Monte Rosa above Zermatt and, Rosalie Ludlow, his future wife, but the name was changed from Rosalie to Evans in 1895 in honor of Colorado governor John Evans.
In 1998, the United States Postal Service issued a set of 20 commemorative stamps entitled "Four Centuries of American Art", one of which featured Albert Bierstadt's The Last of the Buffalo.[28] In 2008, the USPS issued a commemorative stamp in its "American Treasures" series featuring Bierstadt's 1864 painting Valley of the Yosemite.[29]
Valley of the Yosemite[30] also appears in a scene in Terry Gilliam's 1995 film Twelve Monkeys, accompanied by several doctors singing "Blueberry Hill".[31]
William Bliss Baker, another landscape artist, studied under Bierstadt.

See also

List of Hudson River School artists
List of works by Albert Bierstadt
Edward Bierstadt
History of painting
Western painting

References

"Picturing America's Natural Cathedrals". Tfaoi.com. Retrieved 2012-05-20.
Wikisource-logo.svg Wilson, James Grant; Fiske, John, eds. (1900). "Bierstadt, Albert". Appletons' Cyclopædia of American Biography. New York: D. Appleton.
"Artist Info". nga.gov.
Harvey, Eleanor Jones (2012). The Civil War and American Art. Smithsonian American Art Museum; Metropolitan Museum of Art. Yale University Press. ISBN 978-0-300-18733-5.
"Bierstadt, Albert". Collier's New Encyclopedia. 1921.
National Gallery of Art
Barringer and Wilton, 250
"Albert Bierstadt: The Rocky Mountains, Lander's Peak (07.123) - Heilbrunn Timeline of Art History - The Metropolitan Museum of Art". metmuseum.org.
"Albert Bierstadt Images". Images.google.com. Retrieved 2012-05-20.
"Among the Sierra Nevada, California by Albert Bierstadt / American Art". si.edu.
Smithsonian American Art Museum
Chisholm, Hugh, ed. (1911). "Bierstadt, Albert". Encyclopædia Britannica 3 (11th ed.). Cambridge University Press.
Howat, John K., editor. American Paradise: The World of the Hudson River School, 284. Metropolitan Museum of Art, New York, 1987. ISBN 9780870994975
Glenda Moore (2004-09-09). "xmission.com". xmission.com. Retrieved 2012-12-19.
"Albert Bierstadt: The Wolf River, Kansas (61.28) — The Detroit Institute of Arts". Dia.org. Retrieved 2013-07-05.
"Echo Lake, Franconia Mountains, New Hampshire / North American / Art of the Americas / Highlights By Category / Collection Highlights / Collections / Smith College Museum of Art - Smith College Museum of Art". Scma.smith.edu. Retrieved 2013-07-05.
"Home / Smith College Museum of Art - Smith College Museum of Art". Smith.edu. Retrieved 2013-07-05.
"Cho-looke, the Yosemite Fall, 1864". Timken Museum of Art.
"Valley of the Yosemite". Retrieved 31 May 2014.
"In the Sierras". Harvard Art Museums. Retrieved 2013-07-05.
"Among the Sierra Nevada, California". Smithsonian American Art Museum. Retrieved 31 May 2014.
"St. Johnsbury Athenaeum>>This Week from the Gallery Archives". Stjathenaeum.org. Retrieved 2013-07-05.
"Mount Corcoran | Corcoran". Collection.corcoran.org. Retrieved 2013-07-05.
"The Last of the Buffalo | Corcoran". Collection.corcoran.org. Retrieved 2013-07-05.
"Alaskan Coast Range". Smithsonian American Art Museum. Retrieved 31 May 2014.
"Valley Fine Art". Valley Fine Art Gallery. Retrieved 2 March 2015.
William Newton Byers, Bierstadt's Visit to Colorado: Sketching for the famous painting Storm in the Rocky Mountains, Magazine of Western History, Vol. XI, No. 3, Jan. 1890; page 237.
"ArtOnStamps.org". ArtOnStamps.org. 2010-07-09. Retrieved 2012-05-20.
"The Postal Store @ USPS.com". Shop.usps.com. 2011-03-28. Retrieved 2012-05-20.
"image of Valley of the Yosemite". Retrieved 2012-12-19.

"Twelve Monkeys (1995)". IMDb.

Further reading

American paradise: the world of the Hudson River school. New York: The Metropolitan Museum of Art. 1987. ISBN 9780870994968.
Anderson, Nancy K. et al. Albert Bierstadt, Art & Enterprise, Hudson Hills Press, Inc.: New York, New York, 1990.
Barringer, Tim and Wilton, Andrew. American Sublime: Landscape Painting in the United States 1820-1880, Princeton University Press, 2002. ISBN 0-691-09670-8
Hendricks, Gordon. Albert Bierstadt, Painter of the American West, Harrison House/Harry N. Abrams, Inc.: New York, New York 1988.

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